A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ...
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On a trip to France, millionaire Jervis Pendleton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ... See full summary »
In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to complete their mission and to retrieve them. She starts out condemning the decadent West, but gradually falls under its spell, with the help of Steve Canfield, an American movie producer.Written by
John Oswalt <email@example.com>
This film marked a return to MGM for Jules Munshin, who had been signed by the studio in 1947 in response to his breakout stage success in Harold Rome's postwar musical "Call Me Mister" (1946). After his screen debut in Easter Parade (1948), Munshin was quickly cast back-to-back in That Midnight Kiss (1949), Take Me Out to the Ball Game (1949) and On the Town (1949), after which the studio unceremoniously dropped his option. Nearly ten years later, Munshin was invited back to appear in both Silk Stockings (1957) and Ten Thousand Bedrooms (1957). See more »
When the first commissar of art gets sacked, there's a yellow lamp hanging over his desk (he actually walks behind it) and then when Markovitch answers his phone, the lamp magically disappears and is replaced by Vera. See more »
"Silk Stockings" is something of an enigma. Its release came at the moment much of America had switched over to viewing television and the musical film was dying. But it was still glorious. I couldn't care less about the 'outdated Red Russia' story line; this is a remake of a 1939 film and the USSR conflict was in the original as well. What're you gonna do? The main focus is on capitalist seduction- first by Tobias, Munshin, and Peter Lorre, then most beautifully by Astaire and Charisse. Note that in their first duet (the non-dancing "Paris Loves Lovers"), as they sing in perfect counterpoint, they appear to be undressing each other with their eyes. Later, in "All of You," the gloves come off and our two leads seduce each other through a most graceful dance in a living room. Astaire was 56 years old, Charisse was about 36, and there is still more electricity in their pairing than in some of the downright silly things passing as romantic comedies today. The undisputed highlight of the film is Ms. Charisse in a silent and sensuous expression of terpsichory as she puts on nude stockings, a camisole, and a flared transparent slip. OMG!!
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