In 1942, a cargo ship jammed with British evacuees from Singapore is sunk by a Japanese sub. A small lifeboat carries a beautiful woman, an army officer, a bigoted administrator, and a ...
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In 1942, a cargo ship jammed with British evacuees from Singapore is sunk by a Japanese sub. A small lifeboat carries a beautiful woman, an army officer, a bigoted administrator, and a black seaman. Only the seaman knows the woman is a nun. The men reveal their true selves under the hardships of survival. Told in a flashback frame.Written by
Rod Crawford <firstname.lastname@example.org>
In their only time together in a film, Richard Burton and Joan Collins co-star in Sea Wife which is a combination of Alfred Hitchcock's Lifeboat and John Huston's Heaven Knows Mr. Allison. It was sad to say not a really good blend.
The film is told in flashback with both Richard Burton and Basil Sydney remembering the events of many years ago during World War II. After leaving the besieged Singapore in a crowded cargo ship, Burton, Sydney, Joan Collins and Cy Grant find themselves on a rubber dinghy after the ship is torpedoed by a Japanese submarine.
Sydney is your typical John Bull like administrator who spent his life among the various native populations and has a racist superiority attitude concerning them. Cy Grant is a black sailor and the only one who is really capable of helping this disparate bunch survive. He knows something about Collins that the other two don't, that she's a nun who had to leave the ship quickly without habit.
Why she doesn't come right out and tell the other two I'm still not figuring out. I mean Deborah Kerr did in Heaven Knows Mr. Allison and it kept Robert Mitchum somewhat at bay. But she keeps it a deep dark secret and let's Richard Burton's hormones go raging.
The real story here is with Sydney and Grant and Grant has the best acted role in Sea Wife. Had this been an American production the part would have gone to Sidney Poitier and he would have been acclaimed for his performance.
Sea Wife is not anything that will be listed among the top ten of either Richard Burton's or Joan Collins's films.
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