In 1456, French King Charles VII recalls the story of how he met the seventeen-year-old peasant girl Joan of Arc, entrusted her with the command of the French Army, and ultimately burned her at the stake as a heretic.
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Two aging playboys are both after the same attractive young woman, but she fends them off by claiming that she plans to remain a virgin until her wedding night. Both men determine to find a way around her objections.
Young Joan of Arc comes to the palace in France to make The Dauphin King of France and is appointed to head the French Army. After winning many battles she is not needed any longer and soon she is thought of as a witch.Written by
Screenwriter Graham Greene, a famous author, added some lines to the original Shaw play when he adapted it for this movie, such as Warwick's "She'll burn, before the Pope gets to hear of it!" See more »
Richard De Beauchamp, Earl of Warwick, corrects the French bishop by indicating that a French legal court is a Catholic Court different from an English Protestant Court. Protestantism would be proclaimed by Martin Luther 86 years later. See more »
This is an under-rated version of the story of the farm girl who fought the British and helped kick them out of France. Seberg is nowhere near as bad in this movie as reputation would suggest (and looks great with a way cool cropped hair-do), and there are good performances from Geilgud, Richard Widmark, and Richard Todd. It does have to be said, though, that this is not a movie for action-lovers - the centrepiece of Joan leading the troops in the liberation of Orleans, for example, is replaced by a fade-to-black! The movie is also quite stagey and it is stylistically easy to think it was made at least ten years earlier than it's 1957 release date. The movie makes a nice change if you are fed up with the Ingrid Bergman version, though.
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