5.2/10
265
7 user 8 critic

The Restless Breed (1957)

Approved | | Western | May 1957 (USA)
A very bright young lawyer with a very quick temper travels to Mission, a small Texas border town.to even the score for the murder of his father, a secret service operator at the hands of gun-runners.

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Cast

Cast overview, first billed only:
... Angelita
Billy Miller ... Gona
... Cherokee
... Marshal Evans
Marilyn Winston ... Banee
... Allan
... Reverend Simmons
Marty Carrizosa ... Tohna (as Marty Cariosa)
... Kehta
... Newton
... Mitch
... Sheriff Mike Williams
Gerald Milton ... Jim Daley - Bartender
... Caesar
Dennis King Jr. ... Hotel Clerk
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Storyline

Educated but hot-headed Mitch Baker travels to the border town of Mission intent on avenging the death of his secret service father at the hand of contraband gang leader Newton. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Taglines:

OUT OF THE BLAZING TEXAS FRONTIER! (original print ad - all caps) See more »

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

May 1957 (USA)  »

Also Known As:

Ein Kerl wie Dynamit  »

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Angelita: Where do you come from? Where did you learn how to use a
[gun]
Angelita: ?
Mitch Baker: Now there you go, just like a woman, askin' questions.
See more »

Crazy Credits

Closing credits epilogue: . . . AND THESE WERE THE PLAYERS OF THE LEGEND See more »

Soundtracks

The Restless Breed
Lyrics by Dickson Hughes (as Dick Hughes) and Richard Wyler (as Richard Stapley), music by Edward L. Alperson Jr.
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User Reviews

 
Revenge is for the weak, the cruel and the thoughtless.
12 April 2014 | by See all my reviews

The Restless Breed is directed by Allan Dwan and written by Steve Fisher. It stars Scott Brady, Anne Bancroft, Jay C. Flippen, Rhys Williams, Leo Gordon and Jim Davis. Music is by Edward L. Alperson Junior and cinematography by John W. Boyle.

1865 and Mitch Baker travels to Mission in Texas to find out who murdered his father who was working for the Secret Service. His father was investigating the operations of "Newton's Raiders", a gang of gun runners fronted by Ed Newton (Davis) who are supplying arms to Emperor Maximillian in Mexico. Mitch has no intention of upholding the law, he has only one thing on his mind; revenge!

"Yer a wild eyed hooligan looking for a cheap revenge, not to satisfy the ghost of your father, but your own hurt - warped - disturbed ego".

Another of Allan Dwan's vastly under valued Westerns, it's also the last of his genre offerings. Production value is not high end, the Pathe Color is poor, the sets sometimes wobble and it features one of the most frustratingly awful music compositions laid down for a 1957 Oater, but Dwan could quite often craft a silk purse out of a sow's ear. So it be the case here.

The Haunted Room.

It's a standard revenge tale at its core as angry young Mitch Baker arrives in town and promptly sets about dismantling all the scumbags who cross his path. He's quick on the draw, he bristles with machismo and he's catching the eye of the ladies. Giving this simplest of formula extra weight is a religious angle, and no it's not eye rollingly preachy. Mitch finds lodgings with Reverend Simmons (Williams great) and his adopted brood of half-breed children, the eldest of which is a sexually awakened Angelita (Bancroft).

Mitch is quickly seen as some sort of Religio Revenger, the younger members of the Simmons gathering thinking he's an Archangel. Thus Mitch, his revenge fuelled objective at the forefront of his mind, finds a number of other emotions battling to take control of his soul. The arrival of Marshal Evans (Flippen under used but a welcome and telling addition late in the play) cranks up the story considerably and Dwan builds it skillfully in readiness for the big showdown, where we are not sure exactly how it will pan out.

Along the way there's plenty of action, with Dwan not concerned with over-kill sequences, plenty of sexual tension, and there's devilish nods towards the perils of temptation. No masterpiece here, but for Western lovers this has so much to recommend. Sadly it's under seen and the only existing print available doesn't do it any favours. 7/10


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