When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
June, 1911. Among the dignitaries from the Balkan State of Carpathia in London for the coronation of King George V and Queen Mary is the Regent, His Serene Highness the Grand Duke Charles. The London foreign office places great importance on Carpathia because of an unstable geopolitical situation with Kaiser Wilhelm of Germany set to overthrow its monarchy government if allowed. The Regent, a Prince originally from Hungary, and the most recent and now deceased Queen married for convenience. As such, the Regent has spent time with a series of lady friends while on his travels in his somewhat "free" state. In meeting one of those London women, music hall actress Maisie Springfield, and the company of her current production "The Coconut Girl", the Regent instead has his eyes set on one of the minor players in the show, American actress Elsie Marina. When seemingly simpleminded Elsie receives a party invitation from the Regent for that evening, Elsie is not so simpleminded to understand ...Written by
The initial titles showing a pan across London, is clearly made from the south bank of the Thames. Whilst it correctly shows the monument to the Great Fire of London to the west of the Tower of London, it then shows Houses of Parliament way to the east of these. Parliament is actually way to the west of both in Westminster. See more »
I don't know why you object. General elections are good things. They're democratic!
Charles, the Prince Regent:
You're very pretty, my dear, but you would be wise to think twice before entering the political arena. You may find the role of Madame de Pompadour may be a little beyond your range. And your range is so charming as it is. Do you reverse?
Just try me!
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Just saw this again the other day after many years, and was impressed by Monroe's effortless upstaging of Olivier, who gives the most hammy, artificial performance of his career, unsurprising as he is directing himself.
If you want to see what star quality means, just watch their scenes together. He is desperately trying to ACT and eclipse her. All she has to do is just BE there in shot.
Whenever they are on screen, it is always her that one's eyes are drawn to and she gives such a natural performance throughout it almost seems as if she isn't acting at all. She also copes with some extremely tricky dialogue, giving the lie to her inability to remember lines. These are often done in a single take - one scene in particular, early in the film as she is leaving the house before Olivier arrives home, talking rapidly to Richard Wattis as they walk down the long staircase, is outstanding.
So, the film is worthwhile in showing Monroe as the great star she was - and revealing Olivier to only be capable of mere caricature (that fake German accent is so awful) without a strong director to rein him in.
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