A bored housewife seeks help from a psychiatrist who also solves his own emotional problems.
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Title: Oh, Men! Oh, Women! (1957)
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Cast
| Complete credited cast: | |||
| Dan Dailey | ... | Arthur Turner | |
| Ginger Rogers | ... | Mildred Turner | |
| David Niven | ... | Dr. Alan Coles | |
| Tony Randall | ... | Cobbler | |
| Barbara Rush | ... | Myra Hagerman | |
| Natalie Schafer | ... | Mrs. Day | |
 |
Rachel Stephens | ... | Miss Tacher |
| John Wengraf | ... | Dr. Krauss | |
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Plot Summary
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Storyline
A bored housewife seeks help from a psychiatrist who also solves his own emotional problems.
Taglines:
It's all about you know what! [UK] See more »Genres:
ComedyParents Guide:
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Trivia
Randall had appeared in the cast of the Broadway play, but in Dailey's role, not the one he plays in the film. He replaced Gig Young during the show's run. See more »Quotes
Arthur Turner: How do you like that guy? Leaving you alone here with me. Me, the veteran of a thousand slaps. He must figure he's really in solid.See more »
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Details
Country:
USALanguage:
EnglishRelease Date:
23 April 1957 (Sweden) See more »Also Known As:
¡Qué hombres, qué mujeres! See more »Filming Locations:
20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USACompany Credits
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It takes a lot of talented people to come up with a comedy so misguided as this. Their intentions must have been honorable, and everyone fights frantically to keep the goods from sinking, but it's a loss, one of those drawing-room disasters which might have looked good on the page but not stretched across the widescreen. David Niven plays a psychoanalyst bored with his patients and confused over his fiancée's involvement with two of his clients. The actors drink and slur their words...why? Is it funnier to hear drunken wisecracks? Tony Randall as a neurotic and Barbara Rush as the prospective bride get the worst of it: his badgering ninnyisms and her high-pitched hysteria are not funny for any era. Based on a play, and obviously so, with tatty furnishings and dull, flat sets. A scene early on, with Rush in a taxi, is the high-point...we actually get outdoors and away from the whining.