A love triangle, the past invades the present. Mario, a shy man new in Livorno, chats up a crying woman on a bridge. She's Natalia, waiting for a lover gone for a year who promised to return. For three nights, Mario accompanies Natalia, assists her, distracts her, dances with her. He falls in love with her. Can he pull Natalia into his arms, away from the past and from love for a man who will probably never return?
Based on the story by Feodor Dostoyevsky
Did You Know?
In order to have misty backgrounds by night but a clear view on actors, director Luchino Visconti
and director of photography Giuseppe Rotunno
could not use mist filters on camera lenses. Instead they used large rolls of tulle hanging from ceiling to the ground on the sets of Cinecitta studios. Putting street lamps just behind, it worked perfectly for the desired effect. See more
We didn't say a word, but for me it was as if we had said it all.
Edited into My Sister Maria
Written by Lampião (Virgulino Ferreira), adapted by Zé do Norte
Appeared as soundtrack of Lima Barreto's Cannes Festival winner (1953); "O Cangaceiro", winning "special mention" for the score, in the same festival. See more