2.3/10
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La momia azteca contra el robot humano (1958)

A mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries-old living mummy.

Director:

Rafael Portillo

Writers:

Guillermo Calderón (original story) (as Guillermo Calderón S.), Alfredo Salazar (original story) | 1 more credit »
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Cast

Cast overview, first billed only:
Ramón Gay ... Dr. Eduardo Almada
Rosita Arenas ... Flor Almada / Xochitl
Crox Alvarado ... Pinacate
Luis Aceves Castañeda ... Dr. Krupp
Jorge Mondragón Jorge Mondragón ... Dr. Sepúlveda (archive footage)
Arturo Martínez Arturo Martínez ... Tierno
Emma Roldán ... Maria, the housekeeper
Julián de Meriche Julián de Meriche ... Comandante (as Julien de Meriche)
Salvador Lozano Salvador Lozano
Jaime González Quiñones Jaime González Quiñones ... Pepe Almada (as Jaime Quiñones)
Ángel Di Stefani Ángel Di Stefani ... Popoca, the Mummy (as Angelo De Steffani)
Adolfo Rojas Adolfo Rojas ... The Human Robot
Jesús Murcielago Velázquez Jesús Murcielago Velázquez ... El Murciélago (as Murcielago Velazquez)
Enrique Yáñez Enrique Yáñez ... Esbirro del Murciélago
Guillermo Hernández Guillermo Hernández ... Esbirro del Murciélago (as Lobo Negro)
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Storyline

A mad doctor builds a robot in order to steal a valuable Aztec treasure from a tomb guarded by a centuries-old living mummy.

Plot Summary | Add Synopsis

Taglines:

Recommended by the Young America Horror Club! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Mexico

Language:

Spanish

Release Date:

1959 (USA) See more »

Also Known As:

The Robot vs. the Aztec Mummy See more »

Filming Locations:

Mexico

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The first half of the film is a recap of La momia azteca (1957) and La maldición de la momia azteca (1957). See more »

Goofs

A gun is clearly discharged several times in the fight scene near the end, but it makes no sound. See more »

Connections

Featured in Spooks A-Poppin' (1992) See more »

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User Reviews

 
It All Started Here...
7 January 2007 | by newportboscoSee all my reviews

This flick was the introduction for a lot of us to the works of K Gordon Murray. That's because it was easy to find. It was on every public domain label in the VHS era, and before that, a late night t.v. cult classic, double knee thigh slapper. Besides, HOW do you resist the title?

For late comers, a brief explanation of it's merit: Florida wheeler dealer K. Gordon Murray imported Mexican horror films, dubbed them into English, then made a mint with them at the drive in. The Mexican ORIGINALS were weird enough to begin with; American boundaries and accepted horror film conventions were cheerfully disregarded. Great, great set design and lighting were placed beside weird or laughable special effects. NOTHING in Hollywood was as close as these were to out and out strange. Now, mix in Catholic influenced social conventions, Mexican folk lore, and we are not in Kansas anymore.

Add to THAT the English scripts they were dubbed into. Most were written by Reuban Guberman, who wanted words to match movements of the actors lips ON SCREEN, not the literal translation. As a result the American soundtracks tended to run from overwrought to down right loopy. There's even a fan web site for Murray that prints the best, most over the top lines for each movie. First time viewers to the films complain about the pacing, the purple prose, the production values and are told it's SUPPOSED to be that way..while the people laugh with enjoyment over things normally considered fatal film flaws. It all must be very confusing if you don't have a taste for it.

This one was made back to back in 1957 with the two previous films in the series; THE AZTEC MUMMY and CURSE OF THE AZTEC MUMMY. All three are now available on the 3 disc AZTEC MUMMY COLLECTION (BCI) and it's about time. It has the K Gordon Murray version on one side, the original Mexican production on the other side. The contrast between the two is fascinating. A lot of the times the original Spanish is not much saner.

ROBOT/MUMMY starts off with a nice long flashback bringing you up to speed on the previous episodes, sort of..continuity was tossed out the window in number two, and it's downhill from there, logic wise. You don't even get The Angel back, or any mention of him in this final episode. Names, places, even family trees switch between films. After a while, you start LOOKING for the continuity changes.

By now, the series villain Doc Krupp is totally pig biting mad, nearly drooling with dementia and STILL wants to steal the Aztec breastplate. Rosita Arenas is sent back to the past with another nice edit of the AZTEC MUMMY floor show, and wanders out into the dark in her nightie to help find that doggone breastplate again. The mummy isn't any happier with this then he was last time.

The robot actually has a production credit. It was made by 'Viana & Co S.A.'. I mention this, because it looks like the grips came up with it between takes on a slow afternoon when the real costume went walkabout. Nope.

This was PLANNED.

Wait until you see the controller it runs from. X box, where WERE you when Krupp NEEDED you??? The Robot LOOKS crushed to death at the end, but actually came back in two more Mexican made movies..it had a FAN BASE..

All in all, a funny quirky finish to a three movie series. Sit back and enjoy.


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