A dying wealthy patriarch, Ramon summons his relatives to his bedside, setting the tone for intriguing suspense when a bizarre set of murders occurs. The terror begins with the arrival of ... See full summary »
Early in 1939 Sir Robert Hunter takes aim at Adolf Hitler with a high powered rifle, but the shot misses its mark. Captured and tortured by the Gestapo and left for dead, Sir Robert makes ... See full summary »
The Good Ole Boys return to try to save Hazzard Swamp and Uncle Jesse's farm from being destroyed by a crooked developer's (Mama Josephine Max) plans to build a theme park. To do so, they ... See full summary »
Lola, a saloon dancer arrives in the town of Sant'Anna with some other dancers. The town is however terrorized by El Diablo an outlaw who wants to sell the surrounding land to the railroad ... See full summary »
Following the robbery of a bank in the Wild West a gang gathers around Jack Murphy, their leader. Things go awry when Skinner, Reb, Mathias and the brothers, Bill and Gordon, realize Jack ... See full summary »
The Faust legend retold (loosely) and applied to a mentally disturbed patient in a hospital run by a doctor (Sir Peter Ustinov) of dubious sanity himself. The patient (Richard Burton) ... See full summary »
By the end of 1958 for two consecutive days, two filmmakers made "serious" contributions to the then-ebullient Mexican horror cinema: Miguel M. Delgado and German emigrant Alfredo B. Crevenna. The first release was this drama by Cantinflas' favorite director, who guided the comedian in some 30 undifferentiated movies, far from the subversive subtexts in the films of Tin Tan. Delgado was no stranger to horror then and late in his career would make movies about wrestlers and monsters. However, the real rarity was the screenwriter, Ulises Petit de Murat. He had written several classics of the Argentinean cinema, including Mario Soffici's films, as "El extraño caso del hombre y la bestia", a screen adaptation of Robert Louis Stevenson's tale of Dr. Jekyll and Mr. Hyde. Here, working in Mexico, Petit wrote this morbid tale of witchcraft and the living dead that, perhaps because of Delgado's lack of expertise in the genre, did not reach the level of "grand guignol" that the story potentially had. Nevertheless, it is not a film that went unnoticed and even today, in spite of the absence of restored copies, it has its admirers. Alfredo Crevenna released the next day "El hombre que logró ser invisible".
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