Ephraim Cabot is an old man of amazing vitality who loves his New England farm with a greedy passion. Hating him, and sharing his greed, are the sons of two wives Cabot has overworked into ... See full summary »
Lisa Macklin, an Italian woman, has a fight with her American husband Robert in a Paris night club. He leaves the next day for a business trip and Lisa says she does not want to see him ... See full summary »
Tyrannical, but ailing, tycoon Charles Richmond becomes very fond of his attractive Italian nurse, Maria. The nurse, in turn, falls in love with Charles' ne'er-do-well nephew Anthony, who plots ways to gain control of his uncle's fortune.
Gunslinger Jacob Wade finds his long-abandoned son Riley, now a young man who hates his father but has nowhere else to go. Hoping to settle down, Jacob finds no town will have him. They end at Monolith, the ranch of Jacob's former girlfriend Ada, to whom he had no intention of returning. A mustang hunt finds Riley himself attracted to the shapely Ada...and Jacob having trouble with his eyesight. And his visions of a quiet life are doomed by the re-appearance of enemies from his past...Written by
Rod Crawford <firstname.lastname@example.org>
Anthony Perkins had yet to find his feet when he made "The Lonely Man" in 1957, cast as former outlaw Jack Palance's son, but he's remarkably assured nevertheless. It's a so-so western from a mediocre director, Henry Levin, with Palance the lonely man of the title, wanting to go straight but finding both the law and his former partners doing all they can to see that he doesn't. A first class supporting cast, (Neville Brand, Robert Middleton, Lee Van Cleef, Claude Akins) ensure that it's never less than watchable and it's very handsomely photographed in black and white VistaVision by Lionel Lindon. It's a pity the script never really develops the characters beyond the one-dimensional and now it is very seldom shown.
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