Kiss Them for Me (1957)

In 1944, three Navy pilots stationed in Hawaii and a P.R. officer go on a 4-day leave to San Francisco where they party with a good crowd in the executive suite of a busy hotel.

Director:

Stanley Donen

Writers:

Julius J. Epstein (screenplay) (as Julius Epstein), Luther Davis (play)

Stars:

Cary Grant, Jayne Mansfield, Leif Erickson

Cast

Complete credited cast:
Cary Grant	...	Cmdr. Andy Crewson
Jayne Mansfield	...	Alice Kratzner
Leif Erickson	...	Eddie Turnbill
Suzy Parker	...	Gwinneth Livingston
Ray Walston	...	Lt. (j.g.) McCann
Larry Blyden	...	Mississip
Nathaniel Frey	...	CPO Ruddle
Werner Klemperer	...	Lt. Walter Wallace
Jack Mullaney	...	Ens. Albert Lewis

Storyline

Three decorated Navy pilots finagle a four day leave in San Francisco. They procure a posh suite at the hotel and Commander Crewson, a master of procurement, arranges to populate it with party people. Lieutenant Wallace is trying to get the pilots to make speeches to rally the homefront at shipyard magnate Eddie Turnbill's plants, but they're tired of the war and just want to have fun. While Crewson begins falling in love with Turnbill's fiancée Gwinneth Livingston, he tries to ignore the distant call of war.

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Plot Keywords:

year 1944 | psychotronic film | 1940s | northern california | western united states | 

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Taglines:

They tried so hard ... so very hard ... not to fall in love !

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Genres:

Comedy | Romance

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Certificate:

Approved

Did You Know?

Trivia

Cary Grant specifically asked that Stanley Donen be hired on to direct the film. Grant had never met or spoken to Donen prior to their collaboration on this film, but he had been extremely impressed by Donen's work on films such as Royal Wedding (1951), Singin' in the Rain (1952), and Seven Brides for Seven Brothers (1954). Grant expressed that Donen's light and comedic touch on those films fit the tone of the screenplay for Kiss Them for Me (1957).

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Goofs

When Mississip offers a toast in the hotel room, he lists a string of places the Japanese could have ("as far as he is concerned"). Guadalcanal, the second place on the list, is poorly dubbed in to change the line, which originally listed Australia instead.

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Quotes

Gwinneth Livingston: Crewson, I love you very much.
Cmdr. Andy Crewson: That's the only way to love a person, otherwise it isn't worth all the trouble. I love you very much too.

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Connections

Referenced in Baby (2002)

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Soundtracks

At Last
(uncredited)
Music by Harry Warren

User Reviews

Overall a silly mess, but with some terrific little parts, and a terrific Cary Grant

Kiss Them for Me (1957)

"Funny how everybody picks him out first." Ah, they are talking about Cary Grant, still charming and handsome and far outclassing this funny, slightly simple comedy about G.I.s on leave in San Francisco.

Not that this is exactly dumb--the screenplay is even by one of the Epstein brothers (of "Casablanca" fame), and it has a few real dingers of jokes. I was laughing in stitches--sometimes. It's silly stuff but the acting is decent. The photography is by Milton Krasner, who had a long career in the black and white years and then took to widescreen color with classic taste, just finishing "An Affair to Remember" (with Grant) the same year. The credits go on, from makeup (Ben Nye) to music (Lionel Newman) to of course the director, Stanley Donen, who had a whole string of brightly colored 1950s hits, little things like "Singin' in the Rain" and "Charade."

What I mean by all this is that there is no reason this movie isn't terrific, except maybe a weak as licorice story idea. Maybe, just maybe, this had resonance in 1957 with the millions of ex-soldiers still going to the movies, but I have a feeling even they were wanting something more, over a decade after it had all ended. It also doesn't help that one leading female star is Jayne Mansfield playing an embarrassing Marilyn wannabe. "It's natural," says Mansfield in one moment. "Except for the color."

The other leading woman is quite the opposite in nature, a stately, restrained woman played by Suzy Parker. Parker has a short resume, mostly known as a model (with Avedon as her partner in crime), and her acting reveals more knowledge of photography than movie-making. That is, she looks good. (She was actually an accomplished photographer for awhile, too.)

So, why watch this movie? For a glimpse of the times, perhaps (a kind of 1957 version of 1944, I think), including lots of great sets and some shots of San Francisco. But mostly it's Cary Grant's show, even if you aren't a fan. He's actually really good as an actor, not just as a handsome fellow. He plays his part with surprising bite, too.

So what rescues this movie from its fault lines? For one, there's a steady, subtle anti-war thread that must have been relatively new to this kind of movie. There's no disrespect to soldiers or the country, but there's disdain for wallpapering over the truths of war, the use of slogans, the aggrandizing. It's refreshing still, and coming from Grant it has special bite. For another, there is a steady peppering of witty lines from all kinds of characters (not just Grant, though he leads). I'm guessing this is where Epstein shows. And then there is the love story, which isn't so convincing, but it's still a nice addition to the bright color and busy scenes that dominate the movie. In fact, as much as Parker is a weak actress, she and Grant alone together make for some of the best parts of the film.

Grant says, "True love almost always fades, but money stays green forever." And it's his sarcasm, his not believing the slogan, that is the theme of the movie.

Details

Country:

USA

Language:

English

Release Date:

10 December 1957 (USA)

Also Known As:

El beso del adiós

Filming Locations:

Fairmont Hotel - 950 Mason Street, Nob Hill, San Francisco, California, USA

Box Office

Budget:

$1,945,000 (estimated)

Company Credits

Production Co:

Jerry Wald Productions

Technical Specs

Runtime:

105 min

Sound Mix:

Stereo (Westrex Recording System)

Color:

Color (Color by Deluxe)

Aspect Ratio:

2.35 : 1