Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small... See full summary »
Due to a revolution in his country, King Shahdov comes to New York - almost broke. To get some money he goes to TV, making commercials and meets the child from communist parents. Due to this he is suddenly a suspected as a communist himself and has to face one of McCarthy's hearings.Written by
Stephan Eichenberg <firstname.lastname@example.org>
While the movie is supposed to take place in New York City, while hailing a taxi the London car dealership of Jack Barclay is visible in the background. See more »
[after being called for questioning by the government on suspicions of Communist affiliations]
I'm so sick and tired of people asking me if I'm this, if I'm that!
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Original British prints run about five minutes longer than the version that was released in America in 1976. It is this American version that is available on video, but the British cut is available on disc. See more »
Instantly my favorite Chaplin film for its sheer brilliance.
When I rented this movie, I had no idae what to expect. Charlie Chaplin in a talkie?! I had just seen (heard?) how poor Buster Keaton's awful voice destroyed his presence as the classic stone-faced pantomine. Might Mr. Chaplin's performance in a speaking role be as sadly disappointing???
The answer in a resounding word was, "NO!" If anything, Chaplin's voice and accompanying ability to express himself with words enhanced his screen presence by providing a new dimension with which to appreciate his seemingly limitless talent.
I'm not sure just how to explain this other than the fact that I watched most of the film with a big grin glued to my face. I marvelled at the subtleties of Chaplin's performance which distinguish him not only as a silent movie actor, but as an actor of ANY era! In today's world of over-the-top silliness and questionable acting passing as good comedy, his performance is a clear indication that intelligent comedy is not an oxymoron and that the "King" of it is the same person as the king of slapstick.
If you're the kind of person who appreciates the subtlety in Woody Allen's humor, you will find yourself marvelling at "A King in New York" and you will see (and hear!) a part of Charlie Chaplin you may not ever have known existed.
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