Jailhouse Rock

Perhaps Presley's best movie. It casts him as a young hothead serving a jail sentence for manslaughter.Released from jail he makes it big in the music-business.The sudden success goes to his head and alienates his best friends. Elvis delivers a very magnetic performance with the aid of director Thorpe's skilled handling.Judy Tyler's performance is also very good.The movie's sour tone makes it stand out in comparison with the later Presley vehicles.The famous production number of the title tune is a smash. Rating: ***1/2 of *****

I saw this film when it came out. I was a sophomore in high school, and I thoroughly enjoyed it. I just saw it again on TCM, and guess what? I still enjoy it! This is by no means a work of art; it's plain old fashioned entertainment. Some of the actors in the supporting parts are stilted, and Elvis himself will never be confused with Brando or Dean. But Elvis was a singer, to this day the greatest in rock and roll history, and the musical numbers are first rate. Mickey Shaughnessy, who I can't recall seeing anywhere else, is perfect for the part of Elvis's hillbilly cell mate, and the tragic Judy Tyler shines as the leading lady. (For trivia buffs, she was Princess Summerfallwinterspring on the Howdy Doody Show.) And for those too young to remember the 50s, which probably includes the majority of this website's users, this will provide a good sample of popular entertainment in that era. 7/10

I heard a young woman who hadn't seen "Jailhouse Rock" before leaving the Parkway Theater here in Oakland say "I didn't expect it to be so sad." And yes, it's a pretty dark version of Elvis' own early life. To add to the dark shadow over this film, Elvis' lovely and tolented young co-star, Judy Tyler, died before this film was released (I believe it was a car accident, but I could be wrong). Elvis was pretty broke up about it, and so am I. Well, enough said, it's got the classic "Jailhouse Rock" number (often excerpted and included in TV retrospectives on Elvis), with some pretty smooth dance moves revealed by the often immobile Elvis. E really shines in this one; one of his best films.

For his third feature film Colonel Tom Parker over to MGM where they assigned a couple of very experienced hands behind the camera, producer Pandro S. Berman who among other folks he produced for was Fred Astaire and director Richard Thorpe. He was one of MGM's busiest craftsmen, who directed just about every MGM star during that studio's golden years. As he always did, Colonel Parker made sure that his star got the best possible support and he didn't fail him in Jailhouse Rock.

In Jailhouse Rock, Elvis plays a rather surly, ill tempered youth whose quick with his fists. A brawl in a bar and Elvis kills a guy with his fists. Granted the deceased was a lout, still the state does frown on that and Elvis got a term for manslaughter. While there, he shares a cell with old time country singer Mickey Shaughnessy.

Mickey helps Elvis survive prison and discovers he's got a voice. When he's released before Shaughnessy, Elvis goes out in search of a career and determined to let nothing stand in his way. He discovers the music business is a cutthroat one and he responds in kind. He gets his success, but it costs him the love and respect of all around him, including young record promoter Judy Tyler who develops a thing for the king.

Elvis has some good songs to sing with the title song being the biggest hit from this film. Jailhouse Rock is given a good MGM style production, worthy of anything you might have seen MGM give one of Fred Astaire or Gene Kelly's musicals. And the record of course is still selling good.

Mickey Shaughnessy appeared in a lot of good films in the Fifties, but usually playing cheerful oafs. This was one of the few times he had a serious part and he carries it off well.

I was disappointed that Judy Tyler did not get to display her musical talents. Elvis's is not the only tragic story from the cast of Jailhouse Rock. Young Judy Tyler with a brilliant career in front of her was killed shortly after completing this film with her husband in an automobile accident. I remember it well because she had been Princess SummerFallWinterSpring on the Howdy Doody Show a few years earlier. After leaving that she got good notices on Broadway in one of Rodgers&Hammerstein's lesser shows, Pipe Dream.

My guess is that Colonel Tom did not want anyone sharing musical time with Elvis so early in his career. Otherwise she might have gotten a number on her own and a duet with the king. Her musical talent would have been preserved in a hit film, but who could have known? Elvis would have to wait until Viva Las Vegas and Ann-Margret before he got a leading lady who could sing and dance to match him.

The plot of the film is similar to The Carpetbaggers so if you've seen that you know how this one comes out. Elvis does a fine acting job and singing, well he is the king.

As soon as Elvis became an international sensation in 1956 he started making movies, built around him as a singer. This was the third of a long list and it was shot over a 2 month time period in the studio in 1957. But what amazes me even more is that he was a credible, natural actor from the very beginning. This young guy from rural Mississippi.

In "Jailhouse Rock" he had spent a short time in prison before plying his trade as a singer with a guitar. After some early shenanigans by record labels he decided to form his own company, with his partner, Judy Tyler as Peggy Van Alden. In real life young Elvis was apparently smitten with the 24-year-old beauty. Tragically she died in an automobile accident only a few weeks after shooting wrapped up for this movie.

None of the Elvis movies are great movies but they all entertain, including this one.