Reno and Turner are partners who robbed the express in Monterey. But when Turner wants to leave the partnership, Reno shoots him and leaves him for dead. But Turner is found by Maria and ...
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After violently attacking a fellow officer Lt. Edward Garnett, cavalry Captain Kern Shafter is court martialled. Later, he rejoins the army with Custer's regiment at Fort Lincoln, Dakota, becoming a sergeant, where he runs into his old foe.
The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
The El Condor, the fabled Mexican stronghold rumoured to contain Emperor Maximilian's mythical reserves in gold, will attract two adventurous fortune seekers, who with eyes gleaming with desire, will shortly know that only fools rush in.
Reno and Turner are partners who robbed the express in Monterey. But when Turner wants to leave the partnership, Reno shoots him and leaves him for dead. But Turner is found by Maria and nursed back to health. He then searches California for Reno and finds him in Del Ray, running a bar which he got by shooting his partner Abbott. Turner masquerades as York and keeps Reno off balance long enough to trap him.Written by
Tony Fontana <firstname.lastname@example.org>
Maria (Pamela Duncan)has a cropped hairstyle definitely from the 50s, not from the "old Western" time of this movie. See more »
When the tide comes in, you'll be safe as if you were in your mother's arms. I picked this hideout a month ago. It's a beauty, ain't it? You're a lucky boy, Jim. You should have met me a long time ago.
You'll never let me forget it, Reno...
How smart you are.
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Hayden made a number of cheap Westerns at a time (late '50's) when Drive-in's were a booming business and in need of fare. Unfortunately, none are very good, including this one, though a number of talented people were involved in each. As could be expected, most suffered from poor production values and sub-standard scripts, leaving the talent little to work with. That's very much the case here. As others point out, only Van Cleef looks motivated. And too bad that great bad girl Mary Beth Hughes (Cleo) is not given more to work with.
No need to repeat negative points made by others, except for two observations. Note that the film has two directors listed. According to IMDb, this was Franklin's only directorial effort, which suggests producer Hittleman didn't like what he saw and so took over the directing himself. Thus the film lacks an experienced director's hand. Also, the ending is indeed startling for a picture of this type. It's so abrupt and unexpected, it's almost like the company suddenly ran out of film and had to wrap up immediately. Certainly, nothing else in the production shows the kind of imagination or nerve that would produce such a startling break with convention. Too bad this remains the only good reason to stick around for this surf-to-turf oater.
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