Reno and Turner are partners who robbed the express in Monterey. But when Turner wants to leave the partnership, Reno shoots him and leaves him for dead. But Turner is found by Maria and ...
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Tramp pilot Scott McBride (Sterling Hayden) goes to meet a Mr. Rodriguez who has a mission for him in the South American jungle. Rodriguez turns out to be Cesar (Rodolfo Hoyos), an old ... See full summary »
Rodolfo Hoyos Jr.
Kathy leaves the newspaper business to marry homicide detective Bill but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
The coming of the railroad to Cedar City spells the end of the stagecoach as the government gives the mail contract to the fastest means of delivery. McCord loses the stagecoach line ... See full summary »
Reno and Turner are partners who robbed the express in Monterey. But when Turner wants to leave the partnership, Reno shoots him and leaves him for dead. But Turner is found by Maria and nursed back to health. He then searches California for Reno and finds him in Del Ray, running a bar which he got by shooting his partner Abbott. Turner masquerades as York and keeps Reno off balance long enough to trap him.Written by
Tony Fontana <email@example.com>
Maria (Pamela Duncan)has a cropped hairstyle definitely from the 50s, not from the "old Western" time of this movie. See more »
When the tide comes in, you'll be safe as if you were in your mother's arms. I picked this hideout a month ago. It's a beauty, ain't it? You're a lucky boy, Jim. You should have met me a long time ago.
You'll never let me forget it, Reno...
How smart you are.
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Hayden made a number of cheap Westerns at a time (late '50's) when Drive-in's were a booming business and in need of fare. Unfortunately, none are very good, including this one, though a number of talented people were involved in each. As could be expected, most suffered from poor production values and sub-standard scripts, leaving the talent little to work with. That's very much the case here. As others point out, only Van Cleef looks motivated. And too bad that great bad girl Mary Beth Hughes (Cleo) is not given more to work with.
No need to repeat negative points made by others, except for two observations. Note that the film has two directors listed. According to IMDb, this was Franklin's only directorial effort, which suggests producer Hittleman didn't like what he saw and so took over the directing himself. Thus the film lacks an experienced director's hand. Also, the ending is indeed startling for a picture of this type. It's so abrupt and unexpected, it's almost like the company suddenly ran out of film and had to wrap up immediately. Certainly, nothing else in the production shows the kind of imagination or nerve that would produce such a startling break with convention. Too bad this remains the only good reason to stick around for this surf-to-turf oater.
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