Three stories of well-off youths who commit murders. In the French episode a group of high school students kill one of their colleagues for his money. In the Italian episode a university ... See full summary »
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
One long decade after the assassination of her husband, a reclusive queen comes face-to-face with the deceased's doppelgänger and anarchist poet, and strikes a three-day pact; however, fate has other plans. What is the mystery of Oberwald?
At Zabriskie Point, United States' lowest point, two perfect strangers meet; an undergraduate dreamer and a young hippie student who start off an unrestrained romance, making love on the dusty terrain.
After living seven years with the mechanic Aldo, having a daughter with him, the simple woman Irma is informed that her absent husband had just died in Sydney. She becomes upset when Aldo proposes to marry her and she tells him that she is going to leave him. Unable to explain how much he loves her, Aldo takes their daughter Rosina and travels with her, meeting different women in different places, trying to establish a new relationship and fill the emptiness of his sentimental life. He visits his former lover Elvia; he meets and lives with the widow Virginia, who owns a gas station; he lives with the prostitute Andreina. But these relationships never complete the needy Aldo.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Films like Il Grido are nearly impossible to qualify or calculate on any real scale simply because they do not adhere to conventional rules of filmmaking. Michelangelo Antonioni's existential journey is very episodic in nature as we watch a self-contained man travel away from his lover in search of more fulfilling relationships after she turns down his marriage proposal. What follows may or may not make an emotional impact on the viewer as it is very languid pacing and tediously told. Antonioni fills the screen with endless long shots and long takes of the most desolate, empty and vast areas possible, especially for a country known to be so vibrant and fruitful as Italy. This seems to represent the protagonist's soul, his yearning for some sort of satisfaction that he cannot seem to grab a hold of. Despite the downtrodden mood of the film, it is a captivating journey, exploring the depths and lengths to which humans seek pleasure in any form. Of course, this assumes that pleasure is the right word.
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