6.0/10
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19 user 6 critic

The Girl Most Likely (1957)

Approved | | Comedy, Musical | February 1958 (USA)
Dodie dreams of marrying a millionaire so that she can live 'the life'. Buzz, her boyfriend, however is not rich as he is a salesman for a housing development. He proposes and Dodie accepts... See full summary »

Director:

Mitchell Leisen

Writers:

Devery Freeman (screenplay), Paul Jarrico (screenplay) | 1 more credit »
Reviews
1 nomination. See more awards »

Photos

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Cast

Complete credited cast:
Jane Powell ... Dodie
Cliff Robertson ... Pete
Keith Andes ... Neil Patterson, Jr.
Kaye Ballard ... Marge
Tommy Noonan ... Buzz
Una Merkel ... Dodie's Mother
Kelly Brown ... Sam Kelsey - Sailor
Judy Nugent ... Pauline - Dodie's Sister
Frank Cady ... Dodie's Pop
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Storyline

Dodie dreams of marrying a millionaire so that she can live 'the life'. Buzz, her boyfriend, however is not rich as he is a salesman for a housing development. He proposes and Dodie accepts. Dodie next meets Pete, who she thinks is rich, but she soon finds out that he is just a boat mechanic. They have fun on their date and Pete proposes and Dodie accepts. Then Dodie meets Neil Patterson who is rich. They go to Mexico on his yacht and have fun on their date. Neil proposes and Dodie accepts. Now she has to choose. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

Songs, Dances, Fun and Romances in the sun-drenched playgrounds of the Pacific! See more »

Genres:

Comedy | Musical

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

February 1958 (USA) See more »

Also Known As:

Andra thelo, tora ton thelo See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The Castles-by-the-Sea homes are selling for $13,995.95 on Balboa Island, Newport Beach, California. In 2019, due to inflation, that is equivalent to: $127,578.81. Quite a bargain. A two-bedroom home in 2019 on Balboa Island is selling for a minimum of around $1.6 million. See more »

Quotes

Dodie: [Referring to her boyfriend Buzz] He's even considering marrying me.
Pete: Maybe you ought to marry me instread.
Dodie: You shouldn't say things like that.
Pete: Why not?
Dodie: We hardly even know each other.
Pete: Sometimes people know each other better in one night than they do... in two weeks.
See more »

Connections

Remake of Tom, Dick and Harry (1941) See more »

Soundtracks

We Gotta Keep Up With the Joneses
(uncredited)
Written by Hugh Martin and Ralph Blane
Sung by Jane Powell and Tommy Noonan (dubbed by Robert Oates)
See more »

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User Reviews

The last gasp of the musical era...Powell in good voice...
2 January 2004 | by DoylenfSee all my reviews

JANE POWELL seems to be enjoying herself in this cheerful little mixture of music and romance. However, the film itself never succeeds in looking much more than a low-budget musical with fake RKO sets that belong in a B-movie rather than a color musical. Despite this, there are pleasant performances by Jane Powell, Cliff Robertson, Tommy Noonan, Keith Andes and Kaye Ballard that compensate for a story that's been told before as "Tom, Dick and Harry" with Ginger Rogers back in 1941 (in B&W and without music).

Jane is just as pert and pretty as Ginger Rogers in the role of a girl who can't decide which man puts her on cloud nine until she finally wakes up at the last moment on the basis of the right kiss. It's all strictly fluff meant to entertain and in its own way it succeeds beautifully, thanks to Powell's effortless charm.

She's also in good voice but is given a number of songs by Blaine and Martin that have no lasting appeal. She delivers them all in a lilting and rich vocal style. Cliff Robertson was obviously a bit ill at ease in his musical sequences but provides a hunky presence as one of her smitten suitors. Tommy Noonan provides most of the comedy relief and Keith Andes has a role he can do virtually nothing with.

There's a rather imaginative American Indian song-and-dance routine that is sure to offend some of the politically correct crowd who can't accept the sort of stereotyping that was done in films of the 1950s. A similar number from ANNIE GET YOUR GUN (and one of the highlights of the MGM film) was cut from the latest Broadway version to placate the PC protesters.

It's the last theatrical film directed by Mitchell Leisen who was then near the end of his distinguished career directing a variety of films. This has got to be one of his lesser efforts but it has a certain charm as the last gasp of the musical era. RKO was virtually at a shutdown by the time the film was completed and it was released two years after being made on the lower half of a double bill.


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