Fashion photographer Dick Avery, in search for an intellectual backdrop for an air-headed model, expropriates a Greenwich Village bookstore. When the photo session is over the store is left in a shambles, much to salesgirl Jo Stockton's dismay. Avery stays behind to help her clean up. Later, he examines the photos taken there and sees Jo in the background of one shot. He is intrigued by her unique appearance, as is Maggie Prescott, the editor of a leading fashion magazine. They offer Jo a modeling contract, which she reluctantly accepts only because it includes a trip to Paris. Eventually, her snobbish attitude toward the job softens, and Jo begins to enjoy the work and the company of her handsome photographer.Written by
The little white car that Dick and Maggie drive to the beatnik club is called a VELAM Isetta. They were made between 1955 and 1958. VELAM (Vehicule Leger a Moteur [light vehicle with motor]) was a French company. The French nicknamed the car the "yoghurt pot" because of its looks. It was also known as the "bubblecar", "rolling egg", "little egg" and even "trouser fly" since you could get into the car from the front. See more »
After Dick kisses Jo and leaves the bookstore, Jo begins to sing "How Long Has This Been Going On". As she sings to herself while looking at the mirror in the supposedly empty bookstore, you can clearly see someone moving around on the second floor of the bookstore reflected in the mirror. See more »
The Quality Woman must have grace, elegance and pizazz.
Every girl on every page of Quality has grace, elegance, and pizazz. Now, what's wrong with bringing out a girl who has character, spirit, and intelligence?
That certainly would be novel in a fashion magazine.
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Enjoyable Enough as Long As It's Not Taken Too Seriously
As long as you do not take the premise or the characters or the plot too seriously, this is an enjoyable movie with an interesting pairing of Fred Astaire and Audrey Hepburn, plus an excellent supporting performance by Kay Thompson and some good-looking settings and scenery. The musical numbers are pleasant, if rather on the light side. Stanley Donen has the right touch in keeping things together without making the seams show too often.
Hepburn is cast in a somewhat unexpected role, as a drab intellectual store clerk who gets involved with Fred Astaire's (much older) photographer character. Audrey is so charming that's it's very difficult to think of her as a wallflower, and while Astaire is as energetic as ever, there are more than a couple of occasions on which the relationship doesn't really look believable, despite the best efforts of the two stars. The plot isn't supposed to be anything weighty anyway, so perhaps that's the price you have to pay for a rather different pairing.
Kay Thompson provides many of the best moments. Sometimes the satire of trendy philosophy comes off well, at other times it gets a little dull. Not to be forgotten are the colorful and interesting settings and backgrounds, which set off the story and music fairly well. It's sometimes a strange combination, but as lighter entertainment it all works well enough.
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