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40 Gewehre

Original title: Forty Guns
  • 1957
  • 12
  • 1h 20m
IMDb RATING
7.0/10
6.2K
YOUR RATING
Barbara Stanwyck and Barry Sullivan in 40 Gewehre (1957)
Showdown in Arizona between the Bonnell brothers, U.S. Marshals, and Jessica Drummond, the iron-fist rancher who controls the territory.
Play trailer2:08
1 Video
38 Photos
Western

Showdown in Arizona between the Bonnell brothers, U.S.Marshals, and Jessica Drummond, the iron-fist rancher who controls the territory.Showdown in Arizona between the Bonnell brothers, U.S.Marshals, and Jessica Drummond, the iron-fist rancher who controls the territory.Showdown in Arizona between the Bonnell brothers, U.S.Marshals, and Jessica Drummond, the iron-fist rancher who controls the territory.

  • Director
    • Samuel Fuller
  • Writer
    • Samuel Fuller
  • Stars
    • Barbara Stanwyck
    • Barry Sullivan
    • Dean Jagger
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    6.2K
    YOUR RATING
    • Director
      • Samuel Fuller
    • Writer
      • Samuel Fuller
    • Stars
      • Barbara Stanwyck
      • Barry Sullivan
      • Dean Jagger
    • 59User reviews
    • 54Critic reviews
  • See production info at IMDbPro
  • Videos1

    Trailer
    Trailer 2:08
    Watch Trailer

    Photos38

    Barbara Stanwyck, John Ericson, and Dean Jagger in 40 Gewehre (1957)
    Eve Brent in 40 Gewehre (1957)
    Barbara Stanwyck, Gene Barry, Robert Dix, John Ericson, Dean Jagger, Gerald Milton, and Barry Sullivan in 40 Gewehre (1957)
    Eve Brent in 40 Gewehre (1957)
    Barry Sullivan and Hank Worden in 40 Gewehre (1957)
    John Ericson in 40 Gewehre (1957)
    Barry Sullivan in 40 Gewehre (1957)
    Barbara Stanwyck in 40 Gewehre (1957)
    Barbara Stanwyck and John Ericson in 40 Gewehre (1957)
    Barbara Stanwyck and John Ericson in 40 Gewehre (1957)
    John Ericson in 40 Gewehre (1957)
    Barbara Stanwyck and Barry Sullivan in 40 Gewehre (1957)

    Top cast

    Edit
    Barbara Stanwyck
    Barbara Stanwyck
    • Jessica Drummond
    Barry Sullivan
    Barry Sullivan
    • Griff Bonell
    Dean Jagger
    Dean Jagger
    • Sheriff Ned Logan
    John Ericson
    John Ericson
    • Brockie Drummond
    Gene Barry
    Gene Barry
    • Wes Bonell
    Robert Dix
    Robert Dix
    • Chico Bonell
    Jidge Carroll
    • Barney Cashman
    Paul Dubov
    Paul Dubov
    • Judge Macy
    Gerald Milton
    Gerald Milton
    • Shotgun Spanger
    Ziva Rodann
    Ziva Rodann
    • Rio
    Hank Worden
    Hank Worden
    • Marshal John Chisum
    Neyle Morrow
    Neyle Morrow
    • Wiley
    Chuck Roberson
    Chuck Roberson
    • Howard Swain
    Chuck Hayward
    Chuck Hayward
    • Charlie Savage
    Sandy Wirth
    • Chico's Girlfriend
    • (as Sandra Wirth)
    Eve Brent
    Eve Brent
    • Louvenia Spanger
    Albert Cavens
    Albert Cavens
    • Doctor
    • (uncredited)
    Tex Driscoll
    Tex Driscoll
    • Barber
    • (uncredited)
    • Director
      • Samuel Fuller
    • Writer
      • Samuel Fuller
    • All cast & crew
    • Production, box office & more at IMDbPro

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Barbara Stanwyck's stunt woman refused to allow herself to be dragged by a horse, saying that it was too dangerous. Without further ado, Stanwyck did it by herself. She got some bruises and scrapes, but was okay. At that time, Stanwyck was 49 years old.
    • Goofs
      When the gunsmith is fitting Wes for a new rifle, he is holding the stock from a model 1898 Mauser, which would not be invented for another 20 years. Wes also picks up a Winchester and looks through the barrel to see the lady gunsmith, which is not possible due to there being no straight line of sight through the action.
    • Quotes

      Jessica Drummond: I'm not interested in *you*, Mr. Bonnell. It's your trademark.

      [gestures at his gun, purring]

      Jessica Drummond: May I feel it?

      Griff Bonnell: Uh-uh.

      Jessica Drummond: Just curious.

      Griff Bonnell: It might go off in your face.

      Jessica Drummond: I'll take a chance.

    • Connections
      Edited into Gli ultimi giorni dell'umanità (2022)
    • Soundtracks
      High Ridin' Woman
      by Harold Adamson and Harry Sukman

      Sung by Jidge Carroll

    User reviews59

    Review
    Review
    Featured review
    7/10
    A visual stunner, a confusing pastiche of archetypes, a film for film lovers
    Forty Guns (1957)

    Sam Fuller's style is uncompromising and over the top. He pushes both melodrama and visual drama. And he's also extremely astute handling the actors and the space and light they move through. His movies are definitely experiences, from "The Naked Kiss" to "The Big Red One" all the way back to the masterpiece, "Pickup on South Street."

    And he usually tells a strong clear story. That's the big weakness here. It's as if all the over-sized elements, including Barbara Stanwyck as this unlikely woman power queen frontier figure with forty men at her beck and call, are juggled around enough to keep it interesting just on their own. Not only will the progress of events be sometimes confusing, it will at times also be too unlikely to hold water, which is even worse.

    Not that the movie isn't a thrill to watch. I mean watch, with your eyes. The sparkling widescreen photography is so good, so very good and original, you can't help but like that part of it. In a way that's sustaining--it's what kept me glued. But that's my thing. I'm a photographer. I love the physical structure of movies. This movie was made for me. It's made to be studied.

    And that's what "Forty Guns" is famous for, an over-sized influence. The French writers of the time (like Godard) and some later American upstarts (like Tarantino) have praised the filmmaking, if not always the film. You can certainly see, and appreciate, how much a movie like this foreshadowed the spaghetti westerns which have become so famous, but which were made six and more years later.

    And that's worth remembering, too. Westerns, as a genre, are well worn by now. The themes have been worked and overworked. To make a new fresh western means pushing it to some limit, and for Fuller that means a soap opera exaggeration. That means galloping horses endlessly around a waiting stagecoach as the horses jump in fear. That means a man walking up to his rival and walking and walking, far longer than it would take to cover the hundred yards shown, until reaching him and punching, not shooting him. It means a final glorious scene that is shown farther and farther in the distance and all you see are two little dots as figures--and yet you know what just happened, and how satisfying that is.

    And how unreasonable the events were getting us to that point. "Forty Guns" plays loose with archetypes in a pre-post-modern way that has made it weirdly contemporary. Fuller's films, like his unlikely contemporary Douglas Sirk's, have taken on a life of their own, as flawed as they are. This may not be the best place to start to love his work, but it's a good place to start to understand where movies had gotten to--some would say fallen--by the late 1950s. Check it out.
    helpful•22
    3
    • secondtake
    • Dec 27, 2012

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    FAQ17

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    Details

    Edit
    • Release date
      • December 5, 1958 (West Germany)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Forty Guns
    • Filming locations
      • Arizona, USA
    • Production companies
      • Twentieth Century Fox
      • Globe Enterprises
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $300,000 (estimated)
    • Gross worldwide
      • $6,344
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 20 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 2.35 : 1

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