The Curse of Frankenstein (1957)

Victor Frankenstein builds a creature and brings it to life, but it behaves not as he intended.

Director:

Terence Fisher

Writers:

Jimmy Sangster (screenplay), Mary Shelley (based on the classic story by) (as Mary W. Shelley)

Stars:

Peter Cushing, Hazel Court, Robert Urquhart

Cast

Cast overview, first billed only:
Peter Cushing	...	Victor Frankenstein
Hazel Court	...	Elizabeth
Robert Urquhart	...	Paul Krempe
Christopher Lee	...	The Creature
Melvyn Hayes	...	Young Victor
Valerie Gaunt	...	Justine
Paul Hardtmuth	...	Prof. Bernstein
Noel Hood	...	Aunt
Fred Johnson	...	Grandpa
Claude Kingston	...	Little Boy
Alex Gallier	...	Priest
Michael Mulcaster	...	Warder
Andrew Leigh	...	Burgomaster
Anne Blake	...	Wife
Sally Walsh	...	Young Elizabeth

Storyline

In prison and awaiting execution, Dr. Victor Frankenstein recounts to a priest what led him to his current circumstance. He inherited his family's wealth after the death of his mother when he was still only a young man. He hired Paul Krempe as his tutor and he immediately developed an interest in medical science. After several years, he and Krempe became equals and he developed an interest in the origins and nature of life. After successfully re-animating a dead dog, Victor sets about constructing a man using body parts he acquires for the purpose including the hands of a pianist and the brain of a renowned scholar. As Frankenstein's excesses continue to grow, Krempe is not only repulsed by what his friend has done but is concerned for the safety of the beautiful Elizabeth, Victor's cousin and fiancée who has come to live with them. His experiments lead to tragedy and his eventual demise.

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Plot Keywords:

told in flashback | mad scientist | frankenstein's monster | reanimation | teacher student relationship | 

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Taglines:

All new and never dared before!

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Genres:

Horror | Sci-Fi | Thriller

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Certificate:

Approved

Details

Country:

UK

Language:

English

Release Date:

25 June 1957 (USA)

Also Known As:

Frankensteins Fluch

Filming Locations:

Black Park, Iver Heath, Buckinghamshire, England, UK

Box Office

Budget:

£65,000 (estimated)

Gross USA:

$7,000,000

Company Credits

Production Co:

Warner Bros.,Hammer Films

Technical Specs

Runtime:

82 min

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (Eastmancolour) (Warnercolor)

Aspect Ratio:

1.75 : 1

Did You Know?

Trivia

The original concept for this movie was a black-and-white feature with Boris Karloff as the Frankenstein monster. Universal threatened a lawsuit if Hammer copied any elements from the classic Universal version. Hammer had Jimmy Sangster completely redo the script and had Jack Asher shoot it in Eastmancolor.

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Goofs

When the blind man is attacked, the top button of the Creature's coat is unbuttoned in one shot and buttoned in the next.

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Quotes

Baron Frankenstein: Pass the marmalade Elizabeth.

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Crazy Credits

Opening credits prologue: More than a hundred years ago, in a mountain village in Switzerland, lived a man whose strange experiments with the dead have since become legend. The legend is still told with horror the world over.... It is the legend of...

The Curse of Frankenstein

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Alternate Versions

For its original cinema release the BBFC required cuts to the scene where a man's head is severed by the Baron and dissolved in acid. The severing was reduced to a brief shot and no footage at all survives of the acid scene. Video and early DVD releases featured the U.S print which was cut further to remove a shot of a severed eyeball as seen through a magnifying glass, though the UK cinema print, which contains this shot, was often shown on BBC television. The 2012 Lionsgate release features the restored version which includes the eyeball shot from the UK print.

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Connections

Referenced in Midnight Movies: From the Margin to the Mainstream (2005)

User Reviews

Hammer Makes its Mark

This was the movie that really put Hammer studios, and Peter Cushing, on the map. It was a brilliant move, at a time when horror had shifted over almost completely to sci fi and giant mutant beasts, to start a project of remaking the classics with atmosphere, drama, color, and a bit more graphic content. Folks who know me won't be surprised that I generally prefer the older 30s Universal versions of the movies, but I have to admit that Hammer is always enjoyable. In this case, they really seem to have returned to the source material effectively, and even added a bit to it without overdoing it. As I recall Mary Shelley's Frankenstein, he was a victim of scientific hubris, but not quite such a cad - but this seems to make sense, as his disregard for the laws of man could easily translate to disregard for sexual mores, much as it did for the men in Shelley's own life. It's a bit longer than the Universal version, and it takes quite a while before we see the monster, but it's enjoyable throughout.