A British fortune-hunter playboy is killing his rich wives in order to inherit their wealth.A British fortune-hunter playboy is killing his rich wives in order to inherit their wealth.A British fortune-hunter playboy is killing his rich wives in order to inherit their wealth.
IMDb RATING
7.0/10
2K
YOUR RATING
- Director
- Writers
- Janet Green(by)
- John Cresswell(screenplay)
- Stars
Top credits
- Director
- Writers
- Janet Green(by)
- John Cresswell(screenplay)
- Stars
- Nominated for 1 BAFTA Film Award
- 1 nomination total
Videos1
Myrtle Reed
- Waitressas Waitress
- (uncredited)
Joe Wadham
- Ballroom Danceras Ballroom Dancer
- (uncredited)
- Director
- Writers
- Janet Green(by) (play "Murder Mistaken")
- John Cresswell(screenplay)
- All cast & crew
- See more cast details at IMDbPro
Storyline
Clever fortune-hunter Edward Bare (Sir Dirk Bogarde), with a penchant for murder, does in his elderly, supposedly rich, wife, and manages to get away with it. After an investigation results in a decision of "accidental death," Bare discovers that his late wife's "fortune" is not what he thought it was. Driven to find another unsuspecting spouse, he discovers that his new bride, a widow, is no fool. After she tells him that she intends to keep her accounts separate from his, he is driven to contemplate murder once again. —alfiehitchie
euro noirtitle different than bookliterature on screenbritish literature on screeneuropean literature on screen45 more
- Taglines
- No Woman Could Resist His Sinister Charm!
- Genres
- Certificate
- Approved
- Parents guide
Did you know
- TriviaThe £200 left to Emmie would equate to $6,590 in 2016.
- Quotes
Freda Jeffries: We buried my poor Albert six months ago.
Edward Bare: What was the matter with him?
Freda Jeffries: He was dead!
- ConnectionsVersion of Murder Mistaken (1956)
- SoundtracksLeave Me Alone
(Le Grisbi) (uncredited)
Music by Jean Wiener
French lyrics by Marc Lanjean
English lyrics by Geoffrey Parsons
Sung by Lita Roza
Top review
Anyone would think it was Bluebeard's chamber!
Cast a Dark Shadow is directed by Lewis Gilbert and adapted to screenplay by John Cresswell from the play Murder Mistaken written by Janet Green. It stars Dirk Bogarde, Margaret Lockwood, Kay Walsh, Kathleen Harrison and Robert Flemyng. Music is by Antony Hopkins and cinematography by Jack Asher.
Edward Bare (Bogarde) marries an older woman for money, murders her and finds that inheritance is not forthcoming. Setting his sights on another lady target, he gets more than he bargained for when he homes in on Freda Jeffries (Lockwood)...
You! Whatever you do, leave me alone!
Splendid slice of Brit noir that takes the Bluebeard route and lets the actors indulge themselves with glee. There's a bubbling broth of class distinction and simmering sexual tensions on the stove here, with Gilbert (The Good Die Young) and Asher (The Curse of Frankenstein) dressing it up nicely in moody visuals. From a Ghost Train opening, where the eyes have it, to the consistent symbolic use of a rocking chair, there's a sinister edge to the piece that tickles the spine and tantalises the conscious. We are pretty sure what is about to unfold in the plotting, but the getting there through the shadows and low lights is where the rewards are.
The cast are uniformly impressive. Bogarde by this time in his career was revelling in playing sleazy or emotionally corrupt characters, and he turns in another memorable performance here. Walsh and Flemyng are playing peripheral characters but strike the right narrative notes, and Harrison is heart achingly doltish as bewildered housekeeper Emmie. But it's Lockwood who shines brightest, here at the end of her film career, she delivers a spitfire turn. Freda is tough, has a waspish tongue (the script affords her some great moments) and uses humour as a mechanism for staving off potential peril. She also has a sexy glint in her eye that matches her ferocious laugh!
It sometimes veers towards the over theatrical, and director Gilbert at times misses a chance to really tighten the suspense, but this without doubt is deserving of a bigger fan-base. 7.5/10
Edward Bare (Bogarde) marries an older woman for money, murders her and finds that inheritance is not forthcoming. Setting his sights on another lady target, he gets more than he bargained for when he homes in on Freda Jeffries (Lockwood)...
You! Whatever you do, leave me alone!
Splendid slice of Brit noir that takes the Bluebeard route and lets the actors indulge themselves with glee. There's a bubbling broth of class distinction and simmering sexual tensions on the stove here, with Gilbert (The Good Die Young) and Asher (The Curse of Frankenstein) dressing it up nicely in moody visuals. From a Ghost Train opening, where the eyes have it, to the consistent symbolic use of a rocking chair, there's a sinister edge to the piece that tickles the spine and tantalises the conscious. We are pretty sure what is about to unfold in the plotting, but the getting there through the shadows and low lights is where the rewards are.
The cast are uniformly impressive. Bogarde by this time in his career was revelling in playing sleazy or emotionally corrupt characters, and he turns in another memorable performance here. Walsh and Flemyng are playing peripheral characters but strike the right narrative notes, and Harrison is heart achingly doltish as bewildered housekeeper Emmie. But it's Lockwood who shines brightest, here at the end of her film career, she delivers a spitfire turn. Freda is tough, has a waspish tongue (the script affords her some great moments) and uses humour as a mechanism for staving off potential peril. She also has a sexy glint in her eye that matches her ferocious laugh!
It sometimes veers towards the over theatrical, and director Gilbert at times misses a chance to really tighten the suspense, but this without doubt is deserving of a bigger fan-base. 7.5/10
helpful•201
- hitchcockthelegend
- Sep 29, 2013
Details
- Runtime1 hour 22 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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