During WW II, allied POWs in a Japanese internment camp are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge, but under the leadership of Colonel Nicholson they're persuaded the bridge should be built to help morale, spirit. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of Japanese Commandant Colonel Saito, but soon they realise it's a monument to Nicholson, himself, as well as a form of collaboration with the enemy.Written by
For one sunset scene, Sir David Lean specifically travelled 150 miles (242 kilometers) to capture it. See more »
At the start of the movie, while the officer's and men are marching, they whistle. Unfortunately, while their whistling is meant to help keep them all in step, the music does not match their marching steps. In fact, had they been marching in step, their left foot would have been on the first and third beats of the song. This is done intentionally to show that at the beginning, the soldiers are disorganised and unable to whistle and march to the beat. When the theme plays again at the end, after the bridge has been built, they all whistle and march perfectly, showing their progress. See more »
[visits Nicholson in the oven]
Sir, you can't stand much more of this. And wouldn't the men be better off working rather than being kept in those cells? The men are doing a wonderful job of it, they're going as slow as they dare; but Saito's cut their food rations. If they don't get put to work, they're going to die. And that's all there is to it.
Yes, Clipton. I understand, truly. But don't you see it's a matter of principle? If we give in now, there will be no end to it. No!
Sir, we're lost in ...
[...] See more »
Various versions have different main credits. There is the original that gives screenplay credit to Pierre Boulle, there is the restored version in which previously blacklisted Carl Foreman and Michael Wilson are credited and there is the original version that was distributed to cinemas at the time still lacking in CinemaScope equipment in which the Cinema Scope credit is omitted and the credits formatted to fit the smaller frame. See more »
God Save the King
Written by Henry Carey
Performed by the British Prisoners of War See more »
They don't make movies like this anymore.
I recently saw The Bridge on the River Kwai at the Cinerama Dome, and it was quite spectacular. Unlike some of today's grand adventure films, you get to know the characters along with seeing great scenes of acting and cinematography. Alec Guinness is at the top of his form as the single minded Colonel Nicholson. The scene between Nicholson and Saito in Saito's hut is remarkable. Nicholson still will not concede defeat, he even takes offense that other officers of different armies gave in and worked alongside the enlisted men. Saito can't understand Nicholson's acceptance of his punishment, and it drives him crazy. The film's plot has two stories that are beautifully intertwined. Shears' return to the bridge is his only way to escape the bridge. In the film's final act, the tension is turned up as the British commandos try to blow up the bridge, and a train, and only then does Nicholson realise what the bridge really is. The Bridge on the River Kwai is one film that is hard to top, the only film able to do that is Lawrence of Arabia, both directed by the meticulous eye of David Lean. One director who could put intimacy in epic circumstances.
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