After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heals. Their solution - escape to Bolivia.
George Roy Hill
The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson, they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito. He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden and an American, Shears, to blow up the bridge.Written by
In 1957, John Scott was a musician performing under the direction of Malcolm Arnold, and recording his score for The Bridge on the River Kwai (1957). The musicians had finished the morning session, and the orchestra broke for lunch. John was prevented from leaving by Eric Boyd-Perkins, who subsequently became the film editor on John's score for Antony and Cleopatra (1972), and was now the sound editor on The Bridge on the River Kwai. He had been having trouble recording a group of people he had rounded up to do some whistling. He asked if John had a piccolo, and would he mind lending a hand. John told him it would be a pleasure, and remained, while Eric ran the footage in the film where men are marching and whistling the famous "Colonel Bogey March." Malcolm had composed a theme which was a counter melody to "Colonel Bogey," and the collective whistlers present needed something to follow. John obliged by leading them, and keeping them in time with his piccolo playing. And, that is how the famous "whistling main title" was produced, and that is how John came to miss his lunch that day. They carried on recording the score for the film after the lunch break. See more »
It wouldn't have been necessary for Joyce, the Canadian, to go to the UK to enlist to fight against the Japanese, as he says when being interviewed to join the commando group going back to the Kwai. Canada joined the war only ten days after war was declared by the British, and Joyce could easily have enlisted at home in Montreal. However, Joyce may have wished to serve in an elite commando unit such as the SAS, which Canada lacked, or to serve in the Pacific, which, due to Prime Minister William Lyon Mackenzie King's 'limited liability' policies, Canada's involvement in the Pacific was limited to the Battle of Hong Kong in 1941 and the Aluetian Islands in 1942. See more »
As I've told you before, in a job like yours, even when it's finished, there's always one more thing to do.
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I have watched this movie several times and it is just getting better and better all the time. Why? Because this movie actually has a message built-in, this isn't a violent story, like "Saving Private Ryan" - also a good movie with a message - but it is still not a slow story.
When I last saw it, I realised that there was something in the movie that I had never understood, this isn't a movie about war, torture or how it was to be a prisoner of war; this is a movie about madness and pride. The pride shows both in Saiko and Colonel Nicholson, they are so full of it that it is almost impossible for them to come to a civil-conclusion with the problems they have with each other. The madness is shown in Colonel Nicholson and Holden's character - here they are, two prisoners of war and they don't want to help each other out, instead they try to reach separate goals, and they are both willing to die for it.
After you have watched this movie one is amazed by the performances made by Alec Guinness and William Holden and I must say that this is therefore one of the best War/Drama movies ever made My vote? 9 out of 10 naturally.
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