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The Big Caper (1957)

A con man in debt and down on his luck comes up with what he thinks is the perfect caper--robbing a small-town bank that keeps a lot of money on hand because of the payroll of a nearby army... See full summary »


Robert Stevens


Martin Berkeley (screenplay), Lionel White (novel)

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Cast overview:
Rory Calhoun ... Frank Harper
Mary Costa ... Kay
James Gregory ... Flood
Robert H. Harris ... Zimmer (as Robert Harris)
Roxanne Arlen ... Doll
Corey Allen ... Roy
Paul Picerni ... Harry
Patrick McVey Patrick McVey ... Sam Loxley


A con man in debt and down on his luck comes up with what he thinks is the perfect caper--robbing a small-town bank that keeps a lot of money on hand because of the payroll of a nearby army base. He convinces a vicious crime boss to bankroll his scheme, but when he and his boss' girl move into the town to make preparations for the heist, he begins to have second thoughts about the whole operation. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis


The grand-slam hold-up that would live forever in the annals of crime! See more »


Not Rated | See all certifications »






Release Date:

1 November 1957 (Ireland) See more »

Also Known As:

Den stora kuppen See more »

Company Credits

Production Co:

Pine-Thomas Productions See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Westrex Recording System)
See full technical specs »

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User Reviews

More Colorful than Caper
6 September 2015 | by dougdoepkeSee all my reviews

A heist gang is assembled from character types to knock over a million-dollar bank. But first, the gang must establish credentials in town by pretending that two of their number are a married couple that buy a gas station. But will the diverse types be able to carry out the scheme, especially in the midst of an all-American community.

Well-made thick ear. Despite the title, the heist part is pretty ordinary. The movie's real appeal is in colorful characters and human interest. Robert H. Harris has to be the biggest bundle of pathetic sweat in movie annals. When he isn't setting off diversionary explosions, he's in near orgasmic delight over the fires he sets. It's a thankless role, he brings off to the proverbial T. Then there's Corey Allen's demented hipster Roy, and a long way from his commanding role in Rebel Without a Cause (1955). With his blond crew-cut, I almost didn't recognize him. But in my view, the movie really belongs to James Gregory's mastermind, Flood. He brings real authority to the role, making much of the movie more credible than it is. No wonder he had a long run on TV.

The various little conflicts make up most of the story, and except for some cheap sets, they're compelling enough to hold interest. However, suspense doesn't really kick in until the final 20-minutes, while some threads are left hanging; that is, unless I missed something. Anyway, Calhoun and Costa make an attractive couple, with a good look at that 50's suburban ritual, the backyard bar-be-cue. And despite a couple of plot stretches, the production remains on the whole an entertaining little package.

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