7.5/10
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6 user 11 critic

Montparnasse 19 (1958)

Les amants de Montparnasse (original title)
Biographic movie about the last year of the famous Italian painter Modigliani. Modigliani, a poor painter in Paris of 1919, falls in love with a daughter from a wealthy family. Her parents ... See full summary »

Director:

Jacques Becker

Writer:

Michel-Georges Michel (inspired by novel "Les Montparnos") (as Michel Georges Michel)
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Cast

Cast overview, first billed only:
Gérard Philipe ... Amedeo Modigliani
Lilli Palmer ... Beatrice Hastings
Lea Padovani ... Rosalie (as Léa Padovani)
Gérard Séty Gérard Séty ... Léopold Zborowsky
Lino Ventura ... Morel
Anouk Aimée ... Jeanne Hébuterne
Lila Kedrova ... Anna Zborowsky
Arlette Poirier Arlette Poirier ... Lulu
Pâquerette ... Madame Salomon - la concierge (as Madame Pâquerette)
Marianne Oswald Marianne Oswald ... Berthe Weil
Judith Magre ... La prostituée devant le café
Denise Vernac Denise Vernac ... Madame Hébuterne
Robert Ripa Robert Ripa ... Marcel - le maquereau
Jean Lanier Jean Lanier ... Monsieur Hébuterne
Carole Sands Carole Sands ... Madame Dickson (as C. de Rieux)
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Storyline

Biographic movie about the last year of the famous Italian painter Modigliani. Modigliani, a poor painter in Paris of 1919, falls in love with a daughter from a wealthy family. Her parents are against their relation and stop financial help. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

A motion picture touched with the fire...the genius...the lover...the man.

Genres:

Biography | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

France | Italy

Language:

French

Release Date:

4 April 1958 (France) See more »

Also Known As:

Hero of Montmatre See more »

Filming Locations:

Nice, Alpes-Maritimes, France See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Italian actress Lea Padovani is dubbed in some scenes by Nadine Alari, while her own voice (with a strong Italian accent) can be heard in others. See more »

Quotes

Amedeo Modigliani: And I can only offer you to share the rain with me.
See more »

Crazy Credits

The names of actors Lea Padovani, Gérard Séty and Lino Ventura do not appear in the closing credits, whereas every one else's name does. See more »

Connections

Featured in Voyage à travers le cinéma français (2016) See more »

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User Reviews

 
Good film, tragic end
2 May 2015 | by SpondonmanSee all my reviews

Every generation sees or thinks it sees things differently from previous generations; this film shows yet again that bohemian boorishness and temperamental talent is and was nothing new. If you're seen to be an Artist also being a fascinating penniless perpetual drunk yob can be acceptable, that troubled spirit is sometimes the price of Genius. Amedeo Modigliani was an Italian artist who died at 36 of TB in France, the almost impossibly handsome Gerard Philipe who played him here died the year after the film also at 36 of cancer, and director Max Ophuls died before production started – it makes this French-Italian co-production especially poignant.

The story follows the last period of Modigliani's life about 1919, after he met and fell madly in love with fellow artist Jeanne Hebuterne, their trials, tribulations and tragedy. It's all done very well, definitely not as the elegant Ophuls would have done it (witness those clumsy tracking dancing scenes) with good black and white photography and great acting: basically no problems with any of it. However the end of the film was very different to the reality and bearing in mind it was fairly frank anyway I can't understand why the truth was jettisoned at the climax. Did Modigliani's daughter object? What actually happened was incredibly sad, brutal and even incomprehensible but still would have made more sense than the end to the film did. It turned a study in romance into a lesson in sordidness.

But never mind, it was still an interesting journey into an Artist's troubled mind and life and the joy and pain he brought to those around him. I wouldn't hang one of Modigliani's hideous paintings up in my house unless I was paid a lot to; I prefer the film – because Beauty is either in the eye of the beholder or the owner.


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