Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
In 18th-century England, the Royal Crown sends Royal Navy Captain Collier and his crew to investigate reports of illegal smuggling and bootlegging in a coastal town where locals believe in Marsh Phantoms.
Peter Graham Scott
A Victorian-age scientist returns to London with his paleontological bag-of-bones discovery from Papua New Guinea. Unfortunately, when exposed to water, flesh returns to the bones ... See full summary »
At a remote lamasery in the Himalayas, scientist John Rollason studies rare mountain herbs with the help of his wife Helen, and associate Peter, while awaiting the arrival of an American named Tom Friend. Over Helen's objections and warnings by the High Lama, he sets out with Friend on an expedition to find the elusive Yeti, accompanied by another American named Shelley and a young Scotsman, McNee, who claims to have seen the thing. Footprints are found in the snows and McNee seems queerly affected the closer they get to their quarry's likely habitat but the biggest shock to Rollason is discovering Friend is a showman who only intends to exploit their find, with Shelley his game hunter/marksman. The conflict between science and commercialism only increases when an enormous anthropoid is shot, and the horror only increases as the party realizes the other Yeti intend to retrieve their fallen comrade and have powers to do so which seem extra-human.Written by
Rich Wannen <RichWannen@worldnet.att.net>
Following McNee's injury, Dr. Rollason wraps a large white bandage around McNee's damaged left ankle and foot. The bandage is shown around his foot in the 'studio' camp site and he's seen leaving his left boot inside the tent. But immediately afterwards the long shots of McNee ascending the mountain reveal boots on both his feet, while in all closeups the left boot is still absent. See more »
Dr. John Rollason:
This creature may have an affinity for man, something in common with ourselves. Let's remember that before we start shooting.
See more »
Hammer shot this in an anamorphic widescreen process which they credited as "Hammerscope." When it was released in the United States, the promotional material credited it as "Regalscope." See more »
I just stumbled across a copy of this film recently on DVD, and consider it a very good find.
Since a kid, I've had a (somewhat) continuing fascination with Bigfoot, Sasquatch, the Abominable Snowman, etc. However, this is the first time I've come across a film that treats the subject intelligently, and with more thought than just providing a simple scare. This film was well acted, written (intelligently so) and directed, and created a genuine sense of suspense, and maintained an eerie mood throughout. You don't see the creatures full-on, but that's to the film's benefit and better over-all effect to those watching, especially in the almost film noir use of black and white photography.
This is no cheap monster quickie, or faux documentary (though I like some of those too), and though fairly low budget, it's still good.
So basically, I'd have to say this is the best film about the Abominable Snowman (or Bigfoot-like creature) I've seen. Like the Yeti...seek it out!
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