Kathy leaves the newspaper business to marry homicide detective Bill but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
A crack test pilot lands to find the planet has been devastated by some unknown forces. There are a few survivors, so he organizes them in a plan to ward off control by a group of killer ... See full summary »
When his car breaks down during a trip from Los Angeles to Texas John Emmett meets another motorist, Ann Nicholson, who offers him a lift. He learns that she is running away from her physician, Dr. Simmons, and the police, who want to question her about a murdered Central Intelligence Agent in Los Angeles. Anne, as it also turns out, is a native of Berlin, Germany. She had come into possession of a valuable secret formula for a 4000-mile-per-hour rocket, which is written on the reverse side of a small pocket mirror she carries. She wants to deliver this to a scientist in the United States. But, the scientist is an enemy agent as is her doctor and they, and the F.B.I are after her.Written by
Les Adams <firstname.lastname@example.org>
It is true that the towed car ARrives before Ruth Romans Lincoln, it's quite obvious that Hayden's car comes in from the left while Romans car enters from the right, indicating she passed the service station then drove back. That is why Hayden's car enters first even thought Romans car passed him on the highway. See more »
Film not up to the Donald Hamilton novel on which it is based; Jack Elam is uncredited
Let's get this out of the way. IMDb and the film itself do not credit a young Jack Elam as the thug Harry, who fails to do away with the principal characters. One of the spies later refers to him as "Harry". Elam looks almost ruggedly handsome here, not the messy, bugeyed, snaggletoothed psychotic he often portrayed in later years.
The real problem with this noirish road film is that the script is severely weakened from the plot and dialog of the novel "The Steel Mirror" by Donald Hamilton. The original novel had a very intricate plot that included psychological amnesia, guilt as a result of betrayal of resistance fighters in France in World WAr II, more fleshed out characters and motivations, etc. Kessler, the producer, director, and screenwriter failed to make anything of his material leaving the actors trying to salvage a dull script. Had this film been done by one of the noir specialists of the 40s it probably would have been a different film. If you can hunt down Hamilton's original version it is a fine read. I salute Sterling Hayden, Ruth Roman, and Werner Klemperer for their efforts.
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