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Could Miguel Ferrer earn a posthumous Emmy nomination for ‘Twin Peaks: The Return’?

Could Miguel Ferrer earn a posthumous Emmy nomination for ‘Twin Peaks: The Return’?
Could Miguel Ferrer become a posthumous Emmy nominee for “Twin Peaks: The Return”? The veteran character actor died of throat cancer in January 2017 after he shot the Showtime revival, in which he reprised his role as FBI Agent Albert Rosenfield. The TV academy often rewards stars who have died with nominations for their final performances, so could Ferrer compete for Best Movie/Mini Supporting Actor? Despite a long list of TV credits including “The Stand” (1994), “Crossing Jordan” (2001-2007), “NCIS: Los Angeles” (2012-2017) and many more, he never earned an Emmy nomination during his lifetime.

Ferrer first appeared in the original “Twin Peaks” in a recurring role as an abrasive and sarcastic FBI forensics specialist assisting Special Agent Dale Cooper (Kyle MacLachlan) in his murder investigation in the title town. And he also appeared in the 1992 prequel film “Twin Peaks: Fire Walk with Me.” The 18-episode limited run in 2017 found him
See full article at Gold Derby »

Why ‘Nathan for You,’ the Scamming Show That Defined 2018, Deserves an Emmy (Column)

Why ‘Nathan for You,’ the Scamming Show That Defined 2018, Deserves an Emmy (Column)
The Emmy category for best variety sketch series has, in its three-year existence, honored three shows at their moment of most urgent relevance. “Inside Amy Schumer” won after its breakout third season, featuring startling and brutally funny deconstructions of misogyny including “Last F—able Day” and “12 Angry Men Inside Amy Schumer.” “Key & Peele” won for its final season, as Jordan Peele prepared to take off to shoot “Get Out.” And, last year, “Saturday Night Live” won for its season that spanned the election of President Trump and the first, Sean Spicer-heavy months of his administration.

All of these shows,
See full article at Variety - TV News »

‘Ocean’s 8': Which Movies Should Get the Female Reboot Treatment Next? (Photos)

‘Ocean’s 8': Which Movies Should Get the Female Reboot Treatment Next? (Photos)
Between “Ocean’s 8,” “Overboard,” a remake of “Dirty Rotten Scoundrels” called “The Hustle” and a follow-up to “What Women Want” called “What Men Want,” the surge of gender-swapped reboots in recent years is real. It’s a smart way of dusting off proven properties with a fresh point of view. And thankfully, there’s been an equal push to not just remake old movies with women but provide the right amount of diversity on screen in original properties as well. There’s still a long way to go though, and we polled the women of TheWrap to see what favorite films they’d like to see get gender-swapped next.

The Sting

If “Ocean’s 8” does well, “The Sting” would be the next ideal crime caper to remake. The Best Picture winning period drama has class and creativity that could be ideal for two female grifters. The key is just finding
See full article at The Wrap »

Amy Schumer’s 12 Best Moments: From a ‘Slutty’ Tattoo Joke to That Startling Cheer Dance (Photos)

Amy Schumer’s 12 Best Moments: From a ‘Slutty’ Tattoo Joke to That Startling Cheer Dance (Photos)
Amy Schumer’s early stand-up comedy always had her playing coy, cute and humble. But she would surprise you with humor so smutty, sexual and self-deprecating. Since then, she’s blossomed as a physical comedian, a feminist and a body-positive icon without losing that innocent charm. And with her new movie “I Feel Pretty” opening Friday, she’s still surprising us. Schumer is behind a lot of great sketches on her show “Inside Amy Schumer,” from parodies of “12 Angry Men,” “Friday Night Lights” and a hacky fake talk show. But these moments are designed to highlight the best of Schumer’s range as a comedic actress.

Katie Couric

Amy Schumer practically broke Questlove when she told this story to Jimmy Fallon. Schumer took Katie Couric’s phone at a gala dinner and texted her husband saying she wanted to…well you should just watch the clip. What makes it hilarious isn’t strictly what she said but that she did it as if it was involuntary.

Bradley Cooper

Amy Schumer has a hilarious obsession with Bradley Cooper, and honestly, who would blame her? She’s mentioned on numerous talk shows and in her stand-up how she’s pestered him at awards shows, shouted his name and declared herself in a relationship with him. “He’s the type of hot that when you see him, you immediately grab your ankles,” Schumer joked on “SNL.” But Schumer isn’t just gushing; she’s creating a believable fantasy for women everywhere.

Milk Milk Lemonade

Watching “Milk Milk Lemonade” should practically come with an Nsfw warning for how much colorful, eye-popping gyrating it puts on screen. But “Milk Milk Lemonade” takes the overtly sexualized imagery so often seen in similar music videos and frames women’s bodies as something natural “where my poop comes out.” Plus it’s actually a damn catchy song.

The Foodroom

“Inside Amy Schumer” had a lot of pitch perfect parodies, but Schumer stands out the most in this Aaron Sorkin parody of “The Newsroom.” She elevates the sketch beyond putting Sorkin’s walking and talking monologues in a fast food setting, making her screwball, romantic banter hilariously smutty as well.

Golden Globes with Jennifer Lawrence

Back at the Golden Globes in 2015, one of the greatest celeb Bff pairings was born when Schumer took the stage with Jennifer Lawrence. If she’s J-Law, then Amy Schumer’s nickname is “A-Schu” (say it out loud). They look alike, sound alike, can make each other laugh, and Lawrence’s awkward, cool-girl persona is a stage presence Schumer has spent her whole career cultivating.

The Comedy Central Roast of Charlie Sheen

Schumer already appeared on “Last Comic Standing” and as a writer and actress with some visibility, but her ruthless insult comedy here was when she truly broke out, going on to earn a Comedy Central special and then her own show. She’s especially tough on Mike Tyson and his “slutty back tattoo” on his face.

Dance from Trainwreck

There are a lot of great moments from “Trainwreck,” a truly underrated recent comedy (I’m partial to this one). But even though it ends with a familiar, Hollywood ending dance scene, Schumer makes it work. She’s not just hamming it up the way Will Ferrell or Melissa McCarthy might. She’s confident and comfortable in her own skin even as she’s hilariously outmatched by the cheerleaders around her.

Last F—able Day

I hesitate to include this brilliant “Inside Amy Schumer” sketch because, by design, Schumer is the fourth funniest woman in it. But she has a way of bringing out the best in other funny ladies, and the gag is an inspired commentary about women of a certain age in Hollywood.

Read original story Amy Schumer’s 12 Best Moments: From a ‘Slutty’ Tattoo Joke to That Startling Cheer Dance (Photos) At TheWrap
See full article at The Wrap »

Director Tom Verica (‘For the People’) was inspired by Sidney Lumet for story of attorneys ‘thrust into the federal justice system’ [Exclusive Video Interview]

Director Tom Verica (‘For the People’) was inspired by Sidney Lumet for story of attorneys ‘thrust into the federal justice system’ [Exclusive Video Interview]
In the new Shonda Rhimes-produced legal drama “For the People,” executive producer and director Tom Verica uses art direction and cinematography to “take the viewer on a journey of what these first-year attorneys are up against.” Created by Paul William Davies, this freshman ABC series starring Hope Davis, Ben Shenkman, Anna Deavere Smith and Vondie Curtis-Hall centers on a group of young lawyers who arrive in New York’s Southern District Federal Court, more ominously known as “The Mother Court.” Verica, who serves as the producing director, wanted to “create these anthem-like frames and spaces” to “bring forth what one’s experience might be when they’re suddenly thrust into the federal justice system.” Watch our exclusive video interview with Verica above.

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Verica’s direction of the pilot episode was influenced by legendary film and television director Sidney Lumet,
See full article at Gold Derby »

Who’s your favorite Best Actor Oscar winner of 1980s: Daniel Day-Lewis, Robert De Niro, Michael Douglas … ? [Poll]

Who’s your favorite Best Actor Oscar winner of 1980s: Daniel Day-Lewis, Robert De Niro, Michael Douglas … ? [Poll]
The Best Actor Oscar winners of the 1980s are some of Hollywood’s most beloved acting legends. We saw icons of yesteryear finally winning their first Oscar, like Henry Fonda and Paul Newman, in addition to actors who have endured through decades of film, like Robert De Niro, Ben Kingsley, Robert Duvall, Michael Douglas, Dustin Hoffman and Daniel Day-Lewis. The decade also saw newer stars like F. Murray Abraham and William Hurt step into the spotlight and launch lasting careers of their own.

Who is your favorite Best Actor Oscar winner of the 1980s? Look back on each performance and be sure to vote in our poll below.

Robert De Niro, “Raging Bull” (1980) — The ’80s started off with one of the most memorable performances in movie history — De Niro as troubled boxer Jake Lamotta in “Raging Bull.” De Niro won Best Supporting Actor five years earlier for “The Godfather Part
See full article at Gold Derby »

Marshall and the Greatest Courtroom Dramas

  • HeyUGuys
Author: Dave Roper

Thurgood Marshall was the first African American to sit on the Us Supreme Court, but Marshall, 2017’s theatrical release named after him, rather than telling the story of how he came to occupy his seat there, instead focuses on a trial in which he became involved as a much younger lawyer. It stars Josh Gad, Kate Hudson and Black Panther himself, Chadwick Boseman, as the eponymous lawyer, with Sterling K. Brown, James Cromwell and Dan Stevens rounding out the impressive cast.

Marhsall is out on DVD on 26th February 2018

Marshall’s home entertainment release is fast approaching (out on Monday the 26th…) and it has got us thinking about cinema’s grand tradition of impressive courtroom dramas.

Courtroom dramas have been part of the fabric of cinema for decades and whether convincing, dramatically effective, unrealistic or wish-fulfillment, their back-and-forth pugilism and often sky-high stakes continue to make them compelling viewing.
See full article at HeyUGuys »

Emmys Flashback: In 1954, 'Twelve Angry Men' Debuted Live on CBS

Inside Amy SchumerTwelve Angry Men actually started in 1954 as an hourlong live broadcast on CBS' Studio One. Written by Reginald Rose (who later adapted it for Broadway and the big screen), the story came out of his own experience sitting on a jury in a manslaughter case. "It was such an impressive, solemn setting in a great big wood-paneled courtroom, with a silver-haired judge. It knocked me out. I was overwhelmed," Rose recalled. "We got...
See full article at The Hollywood Reporter - TV News »

Q&A: Director Robbie Bryan on Filming the New Thriller The Eyes

Six strangers wake up in the same room and are forced to take part in an experiment where only one will survive. They have two hours to make their decision as a group in The Eyes, a new suspense thriller from director Robbie Bryan. With The Eyes now playing in select theaters, we had a chance to catch up with Bryan for our latest Q&A feature to discuss the movie's incredible journey to getting made, the "visual ballet" of the movie's most challenging scene, and much more.

Thanks for taking the time to answer some questions for us, Robbie. What made you want to bring this screenplay by Robert T. Roe’s to life on the big screen?

Robbie Bryan: It was back in early 2014. I had been trying to put together this feature film called Black Hat, which is a sort of Little Miss Sunshine set in
See full article at DailyDead »

The Forgotten: William Asher's "The 27th Day" (1957)

  • MUBI
Adapted by John Mantley from his own novel, The 27th Day is an ideas-driven sci-fi thriller conceived and executed by idiots. What's interesting is how close its plot comes to the genuinely intelligent Arrival. One could imagine Arrival being back-engineered by taking The 27th Day and reversing all its stupidities.Things start off with promise: five disparate stereotypes (American newspaperman, English girl in swimsuit, Chinese woman, German scientist, Russian soldier) are snatched from their lives by a UFO. But already there are problems apparent: the movie doesn't give any of these characters a compelling narrative to be interrupted by the main plot, except the Chinese woman, whose narrative is ending, as we'll see. In the novel, perhaps access to the characters' thoughts would have enlivened them, and this may be one reason authors don't usually get invited to adapt their books: faithfully reproducing the incidents onscreen doesn't necessarily give you the same effect.
See full article at MUBI »

Five of the greatest one-location movies

Ben Wheatley’s new film Free Fire is a Boston set action-thriller starring Cillian Murphy, Brie Larson and many more, which sees a meeting between different gangs break out into a bloody shootout and an all out game of survival. It is also entirely set in a warehouse; a decision that Wheatley uses to create an incredibly effective film of utter carnage. To mark its release in cinemas this Friday, we have collected five other films either entirely or mostly set in one location.

Rear Window (1954)

Known as one of, if not the greatest thriller of all time, Alfred Hitchcock’s masterpiece is testament to the fact that the simplest premise can often be the most effective. It follows L.B. ‘Jeff’ Jefferies, a wheel-bound photographer who spies on his neighbours to pass the time and becomes convinced that one has murdered his wife. As well as offering a fascinating
See full article at The Hollywood News »

Tony Haygarth obituary

Distinctive supporting actor on television, stage and film

Tony Haygarth, who has died aged 72, was a salt-of-the-earth Liverpudlian actor who became a familiar face on television in series such as Emmerdale (in which he played Mick Naylor), The Bill and New Tricks, while sustaining a reputation as one of Britain’s most distinctive, and reliable, supporting actors on the main national stages.

In the mid-1990s this reputation became a little more serious when he won Equity’s Clarence Derwent award for his performance as a compromised racetrack commissioner in Sam Shepard’s Simpatico, a wonderful series of duologues in junk towns on the freeway running from Los Angeles to the desert, at the Royal Court; and secured an Olivier award nomination for his magnificent performance as the blustery redneck Juror No 3 in Harold Pinter’s West End revival of Twelve Angry Men.

Continue reading...
See full article at The Guardian - TV News »

Robert Vaughn dies, aged 83

Tony Sokol Nov 12, 2016

Robert Vaughn, who played the suave spy Napoleon Solo on The Man from U.N.C.L.E., had died.

Sad news. Robert Vaughn died this morning, November 11, of acute leukemia at the age of 83, the veteran actor’s manager Matthew Sullivan announced through Variety. Vaughn died in New York “surrounded by his family,” Sullivan said.

Robert Vaughn is best known in his signature role as Napoleon Solo on The Man From U.N.C.L.E., but he is also the proud gunfighter who painfully scratches his nose against the slate wall in his last battle in The Magnificent Seven.

David McCallum, who played Vaughn’s Russian spy partner on The Man From Uncle, told TVLine.com he was "utterly devastated. … Robert and I worked together for many years and losing him is like losing a part of me. My deepest sympathies go out to Linda and the Vaughn family."

Vaughn was born in New York City.
See full article at Den of Geek »

Actor Robert Vaughn Dead At Age 83; Oscar Nominee And Star Of "The Man From U.N.C.L.E."

  • CinemaRetro
This Article Has Been Updated

By Lee Pfeiffer

The past year has been an especially harsh one for the entertainment industry in terms of well-known personalities who have passed away. Today's news that actor Robert Vaughn has died hits Cinema Retro especially hard and this writer in particular. He died from a battle with leukemia and was surrounded by his family in his final moments. I first met Robert in 1983 at a press conference in New York in which he and David McCallum promoted their forthcoming TV movie "Return of The Man From U.N.C.L.E." I've remained friends with them ever since and shared many an enjoyable conversation. Robert was an early supporter of Cinema Retro and contributed to numerous issues, most recently issues #33 and #34 in which he was interviewed by writer Steve Rubin about the dramatic occurrences in making the 1969 WWII film "The Bridge at Remagen
See full article at CinemaRetro »

Toronto Film Review: ‘Free Fire’

Toronto Film Review: ‘Free Fire’
Twelve angry men and one tough “bird” walk into a dilapidated Boston warehouse and proceed to blast the building and one another to smithereens in “Free Fire,” a dizzyingly choreographed — and unexpectedly comedic — shoot-’em-up in which the body count hits double digits, while the bullet count proves downright impossible to fathom. A virtuoso feat of indiscriminate gunplay from director Ben Wheatley — who is, without a doubt, the most exciting thing to hit British genre cinema since Guy Ritchie, minus the latter’s eagerness to sell out — this almost cartoonishly over-the-top action movie crosses the irreverent cheekiness of Quentin Tarantino’s “Reservoir Dogs” with the ruthless spirit of 1970s B-movies, in which audiences hoped for a few minutes of what “Free Fire” sustains for the better part of 90 minutes.

Coming off her equally claustrophobic “Room,” Brie Larson plays the only lady in a group of guys whose guns serve as
See full article at Variety - Film News »

Dramatic Publishing Company Acquires Rights to Evil Dead The Musical

Dramatic Publishing Company has announced its exclusive representation of the North American professional and amateur stage performance rights to Evil Dead The Musical. Now in its fifth smash year in Las Vegas, the 'killer musical' joins the Dramatic Publishing catalog alongside other great plays and musicals such as A Christmas Story The Musical, To Kill A Mockingbird, Twelve Angry Men, All American, Around The World In 80 Days, Straight, and1984.
See full article at BroadwayWorld.com »

Scott Ellis Set as Director for NBC’s ‘A Few Good Men’ Live Play, Aaron Sorkin Discusses Casting & More

Scott Ellis Set as Director for NBC’s ‘A Few Good Men’ Live Play, Aaron Sorkin Discusses Casting & More
Scott Ellis has been tapped to direct NBC’s upcoming live adaptation of “A Few Good Men.”

Aaron Sorkin broke the news Tuesday morning at Variety’s annual TV Summit, held at the Four Seasons in Beverly Hills, Calif.

“I couldn’t be more excited about that,” Sorkin said of Ellis directing.

Ellis is a multi-time Tony-nominated director, having worked on the stage productions “She Loves Me,” “Steel Pier,” “1776,” “Twelve Angry Men,” “Curtains,” “The Mystery of Edwin Drood” and “You Can’t Take It with You.” On the television side, Ellis was exec producer on Showtime’s “Weeds.” He has directed episodes of “Modern Family,” “Nurse Jackie,” “The Good Wife,” “Desperate Housewives,” “Frasier” and “30 Rock,” for which he was nominated for an Emmy.

Sorkin spoke about “A Few Good Men” at the Variety event on a panel with NBC chairman Robert Greenblatt, exec producers Craig Zadan and Neil Meron and Kenny Leon, who directed NBC’s “The Wiz Live” and is on board to direct “Hairspray Live.”

“If something happens to Scott, let me know. I’m waiting in the wings!” Leon joked on the panel, pitching himself to direct the live play. Greenblatt chimed in: “You’re busy doing ‘Hairspray.'”

For the NBC live adaptation, Sorkin is re-writing “A Few Good Men,” which originally started as a Broadway play, before the 1992 film, starring Tom Cruise, Jack Nicholson and Demi Moore.

“I am very exited to write it up again. It was my first play, it was my starter play. I’m very proud of it, but it still feels a little bit like my high school yearbook picture to me. I think, or I at least hope, I’m a better writer now,” Sorkin said. “I’m looking forward to attacking it just for the sake of a re-write, as well as it should be written for this particular production.”

As for casting, the panel said that they’re getting into the process.

“We are reaching out to people. We’re beyond having just a list,” Sorkin revealed, adding that the creative team is getting many phone calls, now that the new wave of live TV productions has blown up. “Actors don’t get the opportunity to do that a lot,” he said of performing live on television.

The panelists praised Carrie Underwood for being the first actor to step into the new world of live TV with NBC’s “The Sound of Music” in 2013. Three years later, actors are jumping at the opportunity to flex their creative muscles on live TV.

“I’m going to give you the long list of scaredy-cats from ‘Sound of Music’ because there are some big people who said, ‘I can’t do that,'” Greenblatt said for “A Few Good Men” casting.

In addition to talent getting excited, the entire Hollywood community has welcomed the live programming wave.

“We got a call out of the blue from Tyler Perry,” Zadan said. “He called and he said, ‘I’m calling to help you because I’m going to mobilize a social media campaign for ‘The Wiz’ because this has to succeed.’ He called Oprah and he called everyone else that he knows and they started tweeting…the support that we got from the community was so overwhelming…because they know that failure means there won’t be anymore. We needed those ratings for this to continue because they’re so expensive.”

The new trend of TV musicals come with a learning curve — and being the first live play on television in decades, “A Few Good Men” even more so.

“I have been for years wanting to see live theater come back to television,” Sorkin said. “I was thinking, ‘Boy I hope [NBC] expands into non-musicals next’ — not thinking for a second that my play would be the canary in the coal mine.’

Surely Sorkin’s revitalized play will launch a new wave of more live plays on television, just like “The Sound of Music” inspired more NBC musicals, including “Peter Pan” and “The Wiz,” and Fox’s “Grease Live.” And up next at the broadcast networks is Fox’s “Rocky Horror Picture Show” and ABC’s “Dirty Dancing.”

“There are no barriers between Broadway, movies and television anymore,” Greenblatt said. “Tt’s completely interwoven now.”

Up next for NBC is “Hairspray Live” in December. But, Greenblatt teased that it won’t be long for “A Few Good Men” to come.

“We’re probably going to do it in February,” the NBC exec revealed. “We haven’t locked in the date.”

While February will bring a new cast and a new script to Sorkin’s hit, he assures that the live production will stay true to form.

Quoting the film’s most famous line, Sorkin quipped: “It’s going to be ‘A Few Good Man.’ You can’t handle the truth! It’s going to be ‘A Few Good Men.'”
See full article at Variety - TV News »

‘The People v. O.J. Simpson’ Finale: Producers Weigh in on the Verdict, the Jury and That Knife

‘The People v. O.J. Simpson’ Finale: Producers Weigh in on the Verdict, the Jury and That Knife
Spoiler alert: Do not read until you’ve watched the Season 1 finale of “The People v. O.J. Simpson,” Episode 10, titled “The Verdict.”

Let’s get what we all knew was coming out of the way: In the series, as in life, O.J. Simpson was acquitted of the charges against him. But the not guilty verdict was never the point. For the producers of FX’s “The People v. O.J. Simpson,” their story was always about the journey, not the destination.

Executive producers Larry Karaszewski and Scott Alexander tell Variety they’ve been overwhelmed by the reaction to the show. “I think we always really believed in the story and the quality of the work that everyone was doing, but it’s not only just simply that people are watching, it’s that people are talking about it,” says Karaszewski. “They’re talking about the themes that we brought up, like
See full article at Variety - TV News »

Wizard World Comic Con St. Louis This Weekend– Great Line-Up of Guests!

Pop culture comes to life in St. Louis this weeekend! It’s the Wizard World Comic Con April 1st, 2nd, and 3rd at America’s Center downtown (701 Convention Plaza – St. Louis, Mo 63101), and boy oh boy, do they have an amazing line-up of guests!

Wizard World Comic Con events bring together thousands of fans of all ages to celebrate the best in pop-fi, pop culture, movies, graphic novels, cosplay, comics, television, sci-fi, toys, video gaming, gaming, original art, collectibles, contests and more. St. Louis show hours are Friday, April 1st, 3-8 p.m.; Saturday, April 2nd, 10 a.m.-7 p.m., Sunday, April 3rd, 11 a.m.-5 p.m.

Wizard World Comic Con St. Louis is also the place for cosplay, with fans young and old showing off their best costumes throughout the event. Fans dressed as every imaginable character – and some never before dreamed – will roam the convention floor
See full article at WeAreMovieGeeks.com »

Andrea Goss and Randy Harrison Will Lead Cabaret National Tour; Launches from Providence in January

The musical masterpiece returns, direct from Broadway As part of their 50th Anniversary Season, Roundabout Theatre Company just announced that the national tour of Sam Mendes Skyfall, American Beauty and Rob Marshall'S Into the Woods and Chicago, the films Tony Award-winning production of Cabaret, will premiere in Providence, Ri at the Providence Performing Arts Center with performances beginning Tuesday, Jan. 26 through Sunday, Jan. 31 and an official opening on Thursday, Jan. 28 2016. This tour ofCABARET marks Roundabout Theatre Company's third production on the road, having previously produced the critically acclaimed tours of Twelve Angry Men and Anything Goes.
See full article at BroadwayWorld.com »
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