Perry Mason finds himself defending his private investigator Paul Drake against a charge of murder. It all began when Frank Thatcher hit a pedestrian walking on the side of the road and kills him. He...
In a very rare occurrence, Perry Mason loses a case when Janice Barton is convicted of murdering her aunt and is subsequently sentenced to death. After the verdict, Perry still investigates to try to...
Perry Mason is an attorney who specializes in defending seemingly indefensible cases. With the aid of his secretary Della Street and investigator Paul Drake, he often finds that by digging deeply into the facts, startling facts can be revealed. Often relying on his outstanding courtroom skills, he often tricks or traps people into unwittingly admitting their guilt.Written by
Murray Chapman <email@example.com>
During the series' original run, Raymond Burr was accosted in public by a woman who demanded to know: "How come you never lose?" To which Burr dead-panned: "Madam, you only see the cases that I try on Saturdays." See more »
Perry Mason's office is given as on the 9th floor of the fictional "Brent Building" in Los Angeles, and has a distinctive terrace outside (as does the next-door office in S.8 Ep. 30). However, establishing shots of the exterior use a photo of a plain-sided office building with no balconies or terraces on the 9th floor, or anywhere else. See more »
The original "Perry Mason," in glorious black & white, is in the tradition of the great film noir films of the '40s and '50s. The cases have a poetic reality to them, clashing and understandable motives, psychology, and murder. Because the motives of all involved are understandable, there is not lacking a painful sympathy for those caught up in the circumstances described, even for the perpetrator. But there is a grim darkness to the program as well. The program gradually ran down during its life, so that, when it went off the air, it was probably time. The original 1957-1958 season was the best, with the most intricate plots and with Perry Mason a wiseguy thorn in the side of the police. The cast is perfect, and even the score fits perfectly this brooding and ironic look at life and fate.
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