A reconstruction of the trial of Joan of Arc (based entirely on the transcripts of the real-life trial), concerning Joan's imprisonment, interrogation and final execution at the hands of ... See full summary »
Charles drifts through politics, religion and psychoanalysis, rejecting them all. Once he realises the depth of his disgust with the moral and physical decline of the society he lives in, ... See full summary »
Henri de Maublanc
A young woman kills herself, leaving no explanation to her grief-stricken pawnbroker husband. We learn in flashback about how they met, married, and how she failed to adapt her lifestyle to... See full summary »
Rich young Anne-Marie thinks she has found her vocation when she joins a Dominican convent as a novice. The convent specialises in rehabilitating female prisoners, and Anne-Marie becomes ... See full summary »
A million miles away from 'Camelot' or 'Excalibur', this film ruthlessly strips the Arthurian legend down to its barest essentials. Arthur's knights, far from being heroic, are conniving ... See full summary »
Laura Duke Condominas,
The 'dreamer' is Jacques, a young painter, who by chance runs into Marthe as she's contemplating suicide on the Pont-Neuf in Paris. They talk, and agree to see each other again the next ... See full summary »
Guillaume des Forêts,
Captured French Resistance fighter Lieutenant Fontaine awaits a certain death sentence for espionage in a stark Nazi prison in Lyon, France. Facing malnourishment and paralyzing fear, he must plot an extraordinary escape, complicated by the questions of whom to trust, and what lies beyond the small portion of the prison they are housed in.Written by
Le lieutenant Fontaine:
[Narrating, after giving his word to the prison warden that he would not try to escape again]
Who were we kidding? He certainly did not believe me. As for myself, I was determined to escape at the first opportunity.
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What makes a movie great? Sometimes we find it in an actor's performance, sometimes it lies in the plot, maybe is the suspense, or amazing action scenes. "A Man Escaped", a movie by acclaimed director Robert Bresson delivers none of those elements we usually associate with great films. However, the expertise and craftsmanship of Bresson makes for an unparalleled experience, full of non-stop suspense that keeps you at the edge of your seat, captivated by every action and every move. In fact, this is one of the first times in recent memory when I don't end up checking my watch, or looking around, or even exchanging a couple of words with my company. "A Man Escaped" simply doesn't allow you to catch your breath. Bresson is known for his very distinct style, in which his interest goes beyond performances or strong plots, but rather relies on the character of his scenes, in the way he builds each and every take to make you build the environment for yourself. Bresson is the mastermind behind the term "suggestive" cinema. He shows you just enough for you to build the scene on your own and it is such a subtle directing skill, that you don't realize unless you carefully study the art of his direction. Bresson submerges us in a prisoner's routine, inside a process of patience and conviction that eventually pays off. Bresson goes as far as to show us the result of the movie in its very title, fully confident that even when you know what will happen at the end, there is no way you won't feel the increasing tension, and electrifying suspense that starts from the very first scenes. At the end, it is a movie about patience, about the intellect of a prisoner whose will and desire to escape a prison portrays the strengths of the human spirit. However, the movie does not have uplifting phrases that often fall into clichés. This, ladies and gentleman, is what cinema can do for us. Less is more.
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