A lonely widowed housewife does her daily chores, takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. However, something happens that changes her safe routine.
Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.
The story of a young woman, Helen Banning, who travels to Munich in search of life experience and romance. While working for America House, she meets a famous symphony conductor, Tonio ... See full summary »
A young sailor falls in love with a mysterious woman, performing as a mermaid at the local carnival. He soon comes to suspect the girl might be a real mermaid, who draws men to a watery death during the full moon.
Clifford Groves, toy manufacturer, is in full charge at the factory but feels left out and taken for granted by his wife and children at home. Alone and depressed, he meets old flame Norma, and one thing leads to another. While their relationship is still fairly innocent, his son Vinnie sees them together and suspects the worst. It's time for tortured souls behind rain-streaming windows...Written by
Rod Crawford <email@example.com>
Although Gigi Perreau was cast as the older sister, Judy Nugent, who was cast as the younger sister, was in fact 1 year older then her. See more »
Near the end of the film, Cliff bumps the toy robot on the table, starting it walking towards the camera and he walks back to the shop window. The camera starts tracking forward and as the toy robot is walking forwards out of the shot, bottom left, the shadow of the camera falls across the toy robot. See more »
Pasadena toy manufacturer Fred MacMurray (as Clifford "Cliff" Groves) is wealthy and successful, but feels neglected by his busy family. His children are preoccupied with their own lives and loving wife Joan Bennett (as Marion) always finds herself committed to something other than time with Mr. MacMurray. He feels ignored, unappreciated and lonely. Enter former employee Barbara Stanwyck (as Norma Miller-Vale). Formerly plain, but now an attractive dress designer, Ms. Stanwyck arrives in Los Angeles on business. She's clearly interested in rekindling something with MacMurray...
The best part here is that "There's Always Tomorrow" has director Douglas Sirk working in the 1950s, with his best photographer Russell Metty. This means artful shadows, stairways, windows and reflections. Such visuals, especially as they complement the story, are great. There is even a scene with Stanwyck's face shedding tears that are actually reflected raindrops; a technique said to have originated with "In Cold Blood" (1967). Quite possibly, this was done even earlier...
The cast is strangely unimpassioned. MacMurray and Stanwyck lack the level of spark they conveyed in previous collaborations. Perhaps this is the point. MacMurray has become like the toy robot he created. He's "Rex" the walkie-talkie mechanical man. Stanwyck appears to be hesitating an attempted seduction. While not the protagonist, she becomes the most interesting character. Completely and most maddeningly in the dark, Ms. Bennett acts robotically unaware of the threat to her supposedly perfect family life. Shaking things up is suspicious and literate son William Reynolds (as Vinnie).
******* There's Always Tomorrow (1/20/56) Douglas Sirk ~ Fred MacMurray, Barbara Stanwyck, Joan Bennett, William Reynolds
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