The story of a young woman, Helen Banning, who travels to Munich in search of life experience and romance. While working for America House, she meets a famous symphony conductor, Tonio ... See full summary »
Convicted murderess Valerie Carns (Ann Blyth) is being transported to Norwich to be executed when a flood strands her and her guards at a convent hospital. Nurse Sister Mary (Claudette ... See full summary »
In 1904, Doc Tilbee, medicine show huckster and champion tall-tale teller, gives a ride to a young boy escaped from an orphanage, where bad conditions (the result of political graft) are ... See full summary »
Clifford Groves, toy manufacturer, is in full charge at the factory but feels left out and taken for granted by his wife and children at home. Alone and depressed, he meets old flame Norma, and one thing leads to another. While their relationship is still fairly innocent, his son Vinnie sees them together and suspects the worst. It's time for tortured souls behind rain-streaming windows...Written by
Rod Crawford <firstname.lastname@example.org>
Although Gigi Perreau was cast as the older sister, Judy Nugent, who was cast as the younger sister, was in fact 1 year older then her. See more »
Near the end of the film, Cliff bumps the toy robot on the table, starting it walking towards the camera and he walks back to the shop window. The camera starts tracking forward and as the toy robot is walking forwards out of the shot, bottom left, the shadow of the camera falls across the toy robot. See more »
Norma Miller Vale:
Love is a very reckless thing. Maybe it isn't even a good thing. When you're young and in love, nothing matters except your own satisfaction. The tragic thing about growing older is that you can't be quite as reckless anymore.
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Coming,in Sirk's career ,just after "All that Heaven allows" ,it looks like its twin movie.Unlike "Written on the wind" or "Imitation of life" or "Magnificent obsession" ,it's not melodrama.It's closer to realistic psychological drama.More than the lingering charm of a romantic past (Blue Moon/You saw me standing alone/Without a love of my own),Sirk focuses on the selfishness of the children.Remember in "All that Heaven..." how the son and the daughter could not admit that their mother (of the upper class) should fall in love with a gardener and how they bought her a TV set where she only could see the reflection of her loneliness.Here the boy's attitude is not far from that: a spoiled child -as his sisters are- ,only concerned by his studies and his love affair,he does not care if his papa has become a nine-to-five man ,useful only for the dough he brings home,a life no more exciting than that of the toy robot he sells.Barbara Stanwyck 's role recalls the 1953 effort "all I desire" : the return of the woman,be she legitimate or a former flame.But in "there's always tomorrow",one can notice one of the permanent features of melodrama though: the woman who turns her back on love and becomes a successful businesswoman (or star) (see also the end of "written on the wind" "imitation of life" or Stahl's "only yesterday")
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