To escape the edict of Egypt's Pharaoh, Rameses I, condemning all newborn Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses' fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'.Written by
Ron Kerrigan <email@example.com>
The scene in which the slaves are working in the brick pits under a sweltering sun was actually filmed on an ice-cold soundstage, so the mud did not dry under the studio lights. The scantily clad actors were actually freezing during filming, and had to be covered with oil to simulate sweat. See more »
The safety pin on the infant Moses' diaper can be seen when the baby is floating down the Nile. See more »
The man best able to rule Egypt will follow me. I owe that to my fathers, not to my sons.
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This film does not end with the credit "The End", but with the written line "So it was written, so it shall be done". See more »
In all of the film's theatrical releases, Cecil B. DeMille appears in a short prologue in which he prepares the audience for what they will see, including the fact that the picture will concentrate heavily on the early years of Moses before he led the Hebrews out of Egypt; he also indicates the length of the film and the fact that it will be shown with an intermission. This prologue has always been cut in the film's network television showings. See more »
A timeless classic loaded with stunning visuals and beautiful images
This biblical epic provides a sensational cinematic experience in every sense of the word. With visual effects equalling other classics such as 2001: A Space Odyssey, it is an absolute delight to the eyes.
A lot of the outdoor scenes have gorgeous backdrops ( A couple of them look somewhat dated, most notably scenes in which animated fire is added. ) but it is an extremely impressive film visually for in the time it was made. A lot of shots in the latter half of the movie feature hundreds of extras flowing across the screen like an epic orchestral piece. There are too many incredible images to name, but the one that stands out is ofcourse the incredible sequence in parting the Red Sea. The entire chariot sequence before that is also beautiful in its cinematography. It is an incredible feast of colour all around. The music by Elmer Bernstein is also an excellent epic orchestral piece and adds to the epic value of the movie.
While lacking the emotional value of for example the similar Ben-Hur made three years later also starring Charlton Heston, this does not detract the film from being any less spectacular. This spectacle will constantly fill you with absolute beautiful images and the sheer epic nature of this masterpiece alone will make you lessen the need for an enormous emotional impact.
The performances are all incredible too, with Heston in his usual biblical main role giving off an exceptional performance with a lot of character development in his role & Yul Brynner playing the cold and calculating villain as no other.
As an atheïst i am not blinded by 'Simplistic christian propaganda' in this film as some say it is full off, but i disagree. It is irrelevant if you are a Christian or not. To see the beauty in this film, all you need is a pair of eyes and the brain to absord it in.
All in all, this spectaculair motion picture will leave you in awe and make you feel sorry once more that movies like this aren't being made anymore due to todays social constructs.
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