In Jumanji: The Next Level, the gang is back but the game has changed. As they return to rescue one of their own, the players will have to brave parts unknown from arid deserts to snowy mountains, to escape the world's most dangerous game.
To escape the edict of Egypt's Pharaoh Rameses I (Ian Keith), condemning all newborn Hebrew males, the infant Moses (Fraser C. Heston) is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah (Nina Foch), he is adopted by her and brought up in the court of her brother, Pharaoh Sethi (Sir Cedric Hardwicke). Moses (Charlton Heston) gains Sethi's favor and the love of the throne Princess Nefretiri (Anne Baxter), as well as the hatred of Sethi's son, Rameses II (Yul Brynner). When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son, and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses' fiercest enemy proves to be not Rameses II, but someone near to him who can "harden his heart".Written by
Ron Kerrigan <email@example.com>
Debra Paget's high-heeled shoes are visible early in the film, even though her dress was designed to hide them. See more »
Harden yourself against subordinates. Have no friend. Trust no woman.
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This film does not end with the credit "The End", but with the written line "So it was written, so it shall be done." See more »
On Channel 5 in the UK on April 12th 2020, Cecil B Dr Mille's opening speech was broadcast but the overture and intermission were not. The end credits were also cut. Total running time 3hrs 32 See more »
We are facing one of the most consecrated biblical epics ever made and the magnum opus of Cecil B. DeMille. The story is well known, most people know the Bible even without having read it. Concerning the work of the cast, it's great even if we consider that they're overly theatrical and lack here some veracity and naturalness, essential to play in cinema. Charlton Heston is the great actor of the film, in the role of Moses. Yul Brynner was also excellent as Pharaoh Ramses, as Anne Baxter in the role of Nefretiri. Edward G. Robinson surprises in the role of the hypocrite Dathan. But what makes this film particularly intense is the beauty it has. The setting is one of the biggest that Hollywood has ever made, with thousands of extras with carefully detailed period costumes. Everything was thought to the detail and we love all this visual show. Of course, historical accuracy has been left in the background. DeMille had his school on Broadway and might not attach much importance to the historical details but knew how to make a great show. The visual and special effects are quite realistic, the state of the art of cinema of this time, and still can seem credible today, more than fifty years after it's premiere. The soundtrack of Elmer Bernstein is strident, betting heavily on metals and percussion, in a clearly symphonic style that was thought to make everything even more grandiose. In short: it's a consecrated epic that many people still watch, almost religiously, at Easter (in Portugal it's normal to be broadcast on TV in this period, year after year). The big problem of this film is the very theatrical dialogue and acting. It looks like theater. But we can forgive this fault because it's more or less overshadowed by the visual and sound show.
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