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Tea and Sympathy (1956)

Approved | | Drama | 5 November 1956 (France)
Tom Lee is a sensitive boy of 17 whose lack of interest in the "manly" pursuits of sports, mountain climbing and girls labels him "sister-boy" at the college he is attending. Head master ... See full summary »

Director:

Vincente Minnelli

Writers:

Robert Anderson (screenplay), Robert Anderson (based on the play by)
Reviews
Won 1 Golden Globe. Another 2 nominations. See more awards »

Photos

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Cast

Complete credited cast:
Deborah Kerr ... Laura Reynolds
John Kerr ... Tom Robinson Lee
Leif Erickson ... Bill Reynolds
Edward Andrews ... Herb Lee
Darryl Hickman ... Al
Norma Crane ... Ellie Martin
Dean Jones ... Ollie
Jacqueline deWit ... Lilly Sears
Tom Laughlin ... Ralph
Ralph Votrian Ralph Votrian ... Steve
Steven Terrell Steven Terrell ... Phil
Kip King ... Ted
Jimmy Hayes Jimmy Hayes ... Henry
Richard Tyler Richard Tyler ... Roger
Don Burnett ... Vic
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Storyline

Tom Lee is a sensitive boy of 17 whose lack of interest in the "manly" pursuits of sports, mountain climbing and girls labels him "sister-boy" at the college he is attending. Head master Bill Reynold's wife Laura sees Tom's suffering at the hands of his school mates (and her husband), and tries to help him find himself. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Add Synopsis

Taglines:

Where does a woman's sympathy leave off -- and her indiscretion begin?

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

5 November 1956 (France) See more »

Also Known As:

Chá e Simpatia See more »

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Box Office

Budget:

$1,737,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (35 mm optical prints)| 4-Track Stereo (35 mm magnetic prints) (Westrex Recording System)

Color:

Color (Metrocolor)

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

Deborah Kerr was Oscar-nominated the year this film was released - but not for this film. Kerr made, and was Oscar-nominated for, "The King and I" that same year. See more »

Goofs

After Tom's roommate Al hangs up with his father, he goes downstairs to tell Ms. Reynolds he will be moving out. The shadow of the moving boom mic is clearly visible between Ms. Reynold's door and the pay phone in the hall. See more »

Quotes

Tom Lee: I'm always falling in love with the wrong people.
Laura Reynolds: Who isn't?
See more »

Connections

Referenced in Sommarnöje sökes (1957) See more »

Soundtracks

The Joys of Love
Written by G.B. Martini and Richard Dyer-Bennett
Performed by John Kerr (dubbed by Gene Merlino)
Song based on "Plaisir d'Amour"
See more »

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User Reviews

 
Comparative Acting Styles
7 May 2000 | by harry-76See all my reviews

Those who had the good fortune to see Deborah Kerr onstage in the Elia Kazan production of "Tea and Sympathy," will attest to her unforgetable performance. Kerr not only played it on Broadway but also toured with it, a treat for all attendees. Now nearly a half century later, her performance on film, which was very much influenced by her stage style, begins to show a little wear around the edges. It must be difficult to change one's approach after having played a role so successfully night after night. In this case, her inflections, accents, phraseology, pauses, gestures and the like are essentially theatre-based, designed to play to the whole house up to the balcony. In the intimacy of film, this becomes a bit much in the long run, and results in a much more broad, deliberate and stylized Kerr than in any of her other film work. Her character tends to emerge now more as a busy-body, snooper, peeping tom than was ever intended, and certainly it did not come across that way when the film was first released. A landmark film of sorts--for a major studio to tackle a sensitive subject in a major production--"Tea and Sympathy" benefits from a sincerely written script by Robert Anderson, solid direction by Vincent Minnelli and a secure supporting cast. Visually Deborah Kerr is beautiful, and is totally committed to both the play and her role. During her lengthy film career, Kerr certainly contributed a wealth of finely crafted performances.


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