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6 user 1 critic

Strange Intruder (1956)

Not Rated | | Crime, Drama, Film-Noir | 2 September 1956 (USA)
During the Korean War, a soldier promises his dying buddy that he'll look after the man's family when he gets home. He winds up getting more than he bargained for.

Director:

Irving Rapper

Writers:

Warren Douglas (screenplay), David Evans (screenplay) | 1 more credit »
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Cast

Complete credited cast:
Edmund Purdom ... Paul Quentin
Ida Lupino ... Alice Carmichael
Ann Harding ... Mary Carmichael
Jacques Bergerac ... Howard Gray
Gloria Talbott ... Meg Carmichael
Carl Benton Reid ... James Carmichael
Douglas Kennedy ... Parry Sandborn
Donald Murphy Donald Murphy ... Dr. Adrian Carmichael
Ruby Goodwin Ruby Goodwin ... Annie, Alice's maid
Marjorie Bennett ... Jodie, Carmichaels' maid
Mimi Gibson ... Libby Carmichael
Eric Anderson Eric Anderson ... Johnny Carmichael
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Storyline

During the Korean War, a soldier promises his dying buddy that he'll look after the man's family when he gets home. He winds up getting more than he bargained for.

Plot Summary | Add Synopsis

Plot Keywords:

based on novel | See All (1) »

Taglines:

STRANGE...his twisted passions! SHOCKING...her dark sins! FEARSOME...the evil path they follow!


Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

2 September 1956 (USA) See more »

Also Known As:

Mujer infiel See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Ann Harding's final film performance. See more »

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User Reviews

 
Even Lupino can't salvage lugubrious melodrama
5 May 2002 | by bmacvSee all my reviews

The first clue that there's something seriously out of kilter in Irving Rapper's Strange Intruder is that Ida Lupino takes second billing to Edmund Purdom. Looking like an unsettling cross between Rock Hudson and Gregory Peck (with Ronald Coleman's plummy voice thrown in), this British bore soon wore out his Hollywood welcome and spent the bulk of his career in Italian cheapies.

The movie opens with a grim and lengthy prologue in a Korean prisoner-of-war camp, where Purdom watches his best buddy die at the hands of the sadistic guards. Then we're whisked to a veterans' hospital stateside, where he's being released, the staff there having done `all we can do.' It transpires that Purdom has gone loony as a June bug. He sets off to visit the family of his dead friend, details of whose life he has digested as though it were his own.

He shows up in a fantasy version of small-town life in midcentury, where every middle-class household boasts a live-in cook. Grey-haired mom, wheelchair-bound pop and pert little Sis welcome him into their lives as though he were their returning son. But he has bigger fish to fry. The delusionary voices in his head are telling him to kill his buddy's kids in order to save them from their slut of a mother (Lupino).

Lupino (you see) fell victim to a suave French gigolo. They had an affair, which Lupino divulged in the last letter her husband, off saving Asia from Communism, received. And now he's blackmailing her...

To note that this movie echoes the previous year's Night of the Hunter would be to extend it, inadvertently, undeserved praise. Heavy-handed and implausible, it rings false from first frame to last. And here's the final nail in the coffin: Even Lupino can't save it.


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