A family friend obtained an invitation for my mother and me to visit Ann Blyth on the set during the making of this film. She was very gracious and I can recall being amazed at the mask-like makeup required for the lights and black-and-white cameras of the day. I couldn't see how she could move one of her facial muscles! The scene being shot involved Marjorie Rambeau coming to the door of the Martin family residence to, if I recall correctly, apologize for her son's depredations upon the career and reputation of Mr. Martin, played by Van Johnson. When I saw the completed film in a theater, I was surprised at how much emotional distress Ann was able to convey through that thick layer of William Tuttle's makeup. Miss Rambeau, by the way, was quite enjoying her return to the spotlight and, between takes, vastly amused the crew with her exclamations of appreciation for the little hand-held battery-operated fan that had been given her. Van Johnson was on the soundstage that day but was schmoozing in his dressing room/trailer with a production executive and didn't emerge once during that long afternoon. Both he and his co-star, Miss Blyth, were often underrated by critics and reviewers in their day, although TIME magazine gave this modestly budgeted production a good review, with praise for all the performers in the cast.