7.5/10
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51 user 48 critic

7 Men from Now (1956)

Approved | | Action, Western | 4 August 1956 (USA)
A former sheriff blames himself for his wife's death during a Wells Fargo robbery and vows to track down and kill the seven men responsible.

Director:

Budd Boetticher

Writer:

Burt Kennedy (original story and screenplay)
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1 nomination. See more awards »

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Cast

Complete credited cast:
Randolph Scott ... Ben Stride
Gail Russell ... Annie Greer
Lee Marvin ... Bill Masters
Walter Reed ... John Greer
John Larch ... Payte Bodeen
Don 'Red' Barry ... Clete (as Donald Barry)
Fred Graham ... Henchman
John Beradino ... Clint
John Phillips ... Jed
Chuck Roberson ... Mason
Stuart Whitman ... Cavalry Lt. Collins
Pamela Duncan ... Señorita Nellie
Steve Mitchell Steve Mitchell ... Fowler
Cliff Lyons ... Henchman
Fred Sherman Fred Sherman ... The Prospector
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Storyline

Ex-sheriff Ben Stride tracks the seven men who held up a Wells Fargo office and killed his wife. Stride is tormented by the fact that his own failure to keep his job was the cause of his wife's working in the express office and thus he is partly responsible for her death. Stride encounters a married couple heading west for California and helps them. Along the way they are joined by two n'er-do-wells, Masters and Clete, who know that Stride is after the express-office robbers. They plan to let Stride lead them to the bandits, then make away with the loot themselves. But they aren't the only ones carrying a secret. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Plot Synopsis

Taglines:

Seven bullets from here his woman would be waiting -- Seven men from now -- her shame would be wiped out!

Genres:

Action | Western

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

4 August 1956 (USA) See more »

Also Known As:

7 Men from Now See more »

Filming Locations:

Calabasas, California, USA See more »

Company Credits

Production Co:

Batjac Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (WarnerColor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

After John Wayne decided not to star in this film, the lead role was offered to Gary Cooper, who turned it down. See more »

Goofs

When Lee Marvin remarks that it looks like rain, there are clouds in the sky, but in the next cut to Scott and Russell the sky is clear and azure blue. See more »

Quotes

Cavalry Lt. Collins: We've been dispatched from Fort Crittenden to make a wide sweep south to contact any and all Chirichua in the area. Reports indicate they may be massing along the border.
Ben Stride: Can't be more than 50 of them left in the whole territory.
Cavalry Lt. Collins: Oh, according to our scouts there's well over 100.
Ben Stride: [Laconically] That include the squaws, Lieutenant?
Cavalry Lt. Collins: I take it you don't think the Indians are dangerous.
Ben Stride: They're worse than that. They're hungry. Nothing as deadly as a half-starved Chirichua,
Cavalry Lt. Collins: Well then, we agree.
Ben Stride: [...]
See more »

Connections

Referenced in Collateral Damage (2002) See more »

Soundtracks

Good Love
by 'By' Dunham (as By Dunham) and Henry Vars
See more »

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User Reviews

 
Another expertly crafted Western from Boetticher and Scott.
30 May 2009 | by SpikeopathSee all my reviews

Seven Men from Now is directed by Budd Boetticher and produced by John Wayne's Batjac Productions. Written by Burt Kennedy it stars Randolph Scott, Gail Russell & Lee Marvin. Music is by Henry Vars & William H. Clothier photographs out of the Alabama Hills and Lone Pine, California.

Former Sheriff Ben Stride is on the trail of the seven men; who whilst robbing a Wells Fargo office, killed his wife in the process. Mentally tortured by having lost his job that resulted in his wife having to work at Wells Fargo, Stride is totally driven by hurt and anger. But along the way he helps a married couple who are stuck in the mud; who persuade Stride to ride West with them in case of further problems. They are then joined by a couple of suspect characters who have their own private agenda for tagging along with Stride: all parties seemingly heading for the day when the truth will out.

Director Budd Boetticher and leading Western star Randolph Scott made between 1956 and 1960, seven interesting and genre bending films. This was the first of their collaborations, and although it can be said they were merely honing their "Adult Western" bent here, all the traits that would make the upcoming The Tall T, Ride Loneome and Comanche Station so worthy of genre classic status is evident here in this film. Tho simple in plot; I mean man on a mission movies are not exactly rare are they? Seven Men From Now is boosted by a smartly ambiguous turn from Lee Marvin as Bill Masters, while Boetticher's ability to raise his complex and hungry characters above and beyond the standard tale further gives the piece some kudos. Incidents dot themselves throughout the story to keep the film from ever drifting to the mundane, while the location work at Lone Pine, Alabama Hills in California is gorgeous; where we should be thankful to cinematographer William H. Clothier for realising that Boetticher needs his vista to be another character.

Originally intended as a vehicle for John Wayne, who took producing duties instead when his schedule wouldn't allow him the time to star, Seven Men From Now gave Randolph Scott a chance to show just what a fine actor he was. His Ben Stride could so easily have been played as corny and grumpy, but Scott gives it the emotional depth that Burt Kennedy's script demanded. Gail Russell (Annie Greer) is the lady of the piece, she ultimately led a sad real life, but at least here as the woman caught between two men, we get to see that she did have the ability when called upon - even if this didn't relaunch her career in the way that her friend John Wayne had originally hoped for. In fact Gail was to sadly succumb to the alcoholism that blighted her life just five years later, aged just 36. Thankfully this film stands up as a fine way to remember her beauty and for the efforts that she put into the Western genre.

Lacking the heavy cloud of doom of Boetticher & Scott's best collaborations, this one, however, boasts richly interesting characters that are telling a cunning moral allegory tale. It be an Oater for those who like intelligence over yippee ki-yay like histrionics. 8/10


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