Richard III (1955)

Shakespeare's powerful tale of the wicked deformed King and his conquests, both on the battlefield and in the boudoir.

Director:

Laurence Olivier

Writers:

William Shakespeare (plays), David Garrick (textual alterations for his production of the play)

Stars:

Laurence Olivier, Cedric Hardwicke, Nicholas Hannen

Nominated for 1 Oscar. Another 9 wins & 2 nominations.

Cast

Cast overview, first billed only:
Cedric Hardwicke	...	King Edward IV of England
Nicholas Hannen	...	Archbishop
Laurence Olivier	...	Richard III
Ralph Richardson	...	Duke of Buckingham
John Gielgud	...	George, Duke of Clarence
Mary Kerridge	...	Queen Elizabeth
Pamela Brown	...	Jane Shore
Paul Huson	...	Edward, Prince of Wales
Stewart Allen	...	Page to Richard
Claire Bloom	...	The Lady Anne
Russell Thorndike	...	First Priest
Wallace Bosco	...	Monk (as Wally Bosco)
Norman Fisher	...	Monk
Andrew Cruickshank	...	Brackenbury
Clive Morton	...	The Lord Rivers

Storyline

Richard's military skills have helped to put his older brother Edward on the throne of England. But jealousy and resentment cause Richard to seek the crown for himself, and he conceives a lengthy and carefully calculated plan using deception, manipulation, and outright murder to achieve his goal. His plotting soon has tumultuous consequences, both for himself and for England.

---

Plot Keywords:

battlefield | murder | wife mourns husband | shakespeare play | reference to william shakespeare | 

---

Genres:

Biography | Drama | History | War

---

Certificate:

Not Rated

Details

Country:

UK

Language:

English Latin

Release Date:

11 March 1956 (USA)

Also Known As:

Ricardo III

Filming Locations:

La Mancha, Castilla-La Mancha, Spain

Company Credits

Production Co:

London Film Productions, L.O.P.

Technical Specs

Runtime:

161 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Sir Laurence Olivier's make-up, including hump back and withered hand, took three hours to apply each day.

---

Goofs

For one shot at the end during the battle scene, right around the famous "My kingdom for a horse!" line, Richard's left hand has all five fingers. During the rest of the movie, Richard only has three fingers on his left hand as part of the character's deformities.

---

Quotes

Richard: Now is the winter of our discontent, made glorious summer by this sun of York, And all the clouds that glower'd upon our house in the deep bosom of the ocean buried. Now are our brows bound with victorious wreaths, our bruised arms hung up for monuments, our stern alarums changed to merry meetings, our dreadful marches to delightful measures. Grim vised war has smoothed his wrinkled front And now instead of mounting barbed steeds to fright the souls of fearful adversaries he capers nimbly in a ...

---

Crazy Credits

Most of the film's credits are shown at the end. The opening credits show only the title of the film, Shakespeare's name, and the names of the main actors.

---

Alternate Versions

SPOILER: The 139-minute version omits the entire second half of Clarence's (John Gielgud) speech in the prison cell. The 139-minute version is also edited so that it appears to a viewer unfamiliar with either the play or the film that Richard had nothing to do with Edward IV's death.

---

Connections

Featured in Great Performances: John Gielgud: An Actor's Life (1988)

User Reviews

Sportive Tricks With Sir Larry's Tricky Dick

That "Richard III" is one of the all-time great acting performances is hard to argue with. In the title role, Sir Laurence Olivier manages to be rousing and hate-inducing, menacing and amusing, often all at once. He was the world's greatest stage actor of his time, and Shakespeare was the world's greatest stage writer. So how do they do on the movie screen?

Quite well. Because "Richard III," like "Patton" or "Scarface," is essentially a one-man show, and Olivier was the best Shakespearean actor of his time or since, we are in good hands. As a director (and uncredited co-writer), Olivier telescopes the action on screen in such a way as to negate the necessary stageiness of Shakespeare's text. He moves us the audience from one scene to another by pulling back a curtain and nodding to us to come closer, as if we were an old friend. He yells some lines, then coos others, his vocal dynamics challenging even seasoned readers of the play in terms of what he chooses to accent and what he does not. Finally, he finds the ample stores of humor Shakespeare gave this, one of his darker plays.

"A sweeter and a lovelier gentleman...the spacious world cannot again afford," Richard says of one man he killed, and Olivier invests moments like this with a firm tongue in cheek. While wooing that man's wife (strictly for political gain), he actually draws a sword when presenting himself as the widow's new suitor, telling her to plunge it into him if she won't be his bride. She tells him he's a liar. "Then never man was true!" Richard shouts, and Olivier as he says this rolls his eyes shamelessly, like a silent-screen matinée idol. I can't watch that scene without laughing; it's a Mel Brooks moment.

The film does move slowly, despite Olivier's trims. Entire scenes get cut out, yet the first act is drawn on for nearly an hour with the help of some dialogue brought in from another Shakespeare play. Surely Olivier could have set more up as part of the opening text narrative, and gotten down to business with that famous opening soliloquy.

A worse fault is the woodenness of some of the actors, like the ones who play Catesby, Brackenbury, and especially Lord Hastings. It doesn't help that they don't get the same chance to address the viewer that Olivier avails himself. Sir John Gielgud even seems lost playing a naive victim of Richard's complots. Seen to better advantage are Claire Bloom as the woman Richard woos, Michael Gough as a murderer, and Patrick Troughton as the nasty child-killing nobleman Tyrell.

Ralph Richardson gives the second-best performance in the play as the Duke of Buckingham, a half-step behind Richard in guile and cruelty, but trying to catch up in his own cold-blooded way. It's funny to read here that Olivier wanted Orson Welles in the role. Welles would have seemed too crafty. Richardson makes a believable victim as well as conspirator. Also, you have to mention Pamela Brown's Mistress Shore, who has no lines (because Shakespeare wrote none for her) but manages in Olivier's direction to play a central role by currying the bedside favor of King Edward and of Hastings.

But Olivier of course is the only reason this movie is still watched. And he's worth watching as long as movies are seen. Yes, he may have won World War II making his movie version of "Henry V," and his "Hamlet" was when he became Hollywood's favorite emissary of high culture, but "Richard III" is still the thing to catch the conscienceless of the king, his moment of highest dungeon and merriest perversity. It's movies like this one that remind us why acting can be a noble profession, even for those who aren't knighted for their excellence in it.