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Richard III (1955)

Not Rated | | Biography, Drama, History | 11 March 1956 (USA)
Shakespeare's powerful tale of the wicked deformed King and his conquests, both on the battlefield and in the boudoir.

Director:

Laurence Olivier

Writers:

William Shakespeare (plays), David Garrick (textual alterations for his production of the play) | 1 more credit »
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Nominated for 1 Oscar. Another 9 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Cedric Hardwicke ... King Edward IV of England
Nicholas Hannen ... Archbishop
Laurence Olivier ... Richard III
Ralph Richardson ... Duke of Buckingham
John Gielgud ... George, Duke of Clarence
Mary Kerridge ... Queen Elizabeth
Pamela Brown ... Jane Shore
Paul Huson ... Edward, Prince of Wales
Stewart Allen Stewart Allen ... Page to Richard
Claire Bloom ... The Lady Anne
Russell Thorndike Russell Thorndike ... First Priest
Wallace Bosco Wallace Bosco ... Monk (as Wally Bosco)
Norman Fisher Norman Fisher ... Monk
Andrew Cruickshank Andrew Cruickshank ... Brackenbury
Clive Morton ... The Lord Rivers
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Storyline

Richard's military skills have helped to put his older brother Edward on the throne of England. But jealousy and resentment cause Richard to seek the crown for himself, and he conceives a lengthy and carefully calculated plan using deception, manipulation, and outright murder to achieve his goal. His plotting soon has tumultuous consequences, both for himself and for England. Written by Snow Leopard

Plot Summary | Plot Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English | Latin

Release Date:

11 March 1956 (USA) See more »

Also Known As:

Richard III See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Sir Laurence Olivier wanted to cast Orson Welles in the role of the Duke of Buckingham, but life-long friend Sir Ralph Richardson wanted the role, and Olivier gave it to him. In his autobiography, Olivier says he wishes he had disappointed Richardson and cast Welles instead, as he would have brought an extra element to the screen, an intelligence that would have gone well with the plot element of conspiracy. See more »

Goofs

For one shot at the end during the battle scene, right around the famous "My kingdom for a horse!" line, Richard's left hand has all five fingers. During the rest of the movie, Richard only has three fingers on his left hand as part of the character's deformities. See more »

Quotes

Richard III: Look how my ring encompasseth thy finger. Even so thy breast encloseth my poor heart. Wear both of them, for both of them are thine.
See more »

Crazy Credits

Most of the film's credits are shown at the end. The opening credits show only the title of the film, Shakespeare's name, and the names of the main actors. See more »

Alternate Versions

SPOILER: The 139-minute version omits the entire second half of Clarence's (John Gielgud) speech in the prison cell. The 139-minute version is also edited so that it appears to a viewer unfamiliar with either the play or the film that Richard had nothing to do with Edward IV's death. See more »

Connections

Version of Richard III (1995) See more »

Frequently Asked Questions

See more »

User Reviews

 
A bravura vehicle for Olivier
23 June 1999 | by Doc-57See all my reviews

Many great actors made their names with this Richard, and it turns out to be Olivier's greatest Shakepearean role as well. He captures the whole production coiling his way around the Crown of England: his asides to us through the camera are lovely. They say all actors love to play a villain. Well, it works for me.

The movie is beautiful, rich; the costumes are awesome; and the dialogue, of course, is wonderful. He patches in that great speech from Henry VI, part 3: "Why, I can smile, and murder whiles I smile . . .": and the movie wouldn't be right without it.

The other actors, Britain's elite of the time, seem to be tyrannized by the boss; and the text should have been edited better, because if you don't know the play and practically the whole history you'll get lost. Not to worry, though; the subplots here aren't really important (but they should be), and the thundering battle at the end will leave you satisfied. Special mention of Sir William Walton's music, the vibrant colors, and of course, England itself.


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