Cast overview, first billed only: | |||
James Stewart | ... | Dr. Benjamin McKenna | |
Doris Day | ... | Josephine Conway McKenna | |
Brenda de Banzie | ... | Lucy Drayton | |
Bernard Miles | ... | Edward Drayton | |
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Ralph Truman | ... | Inspector Buchanan, Special Branch |
Daniel Gélin | ... | Louis Bernard | |
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Mogens Wieth | ... | Ambassador |
Alan Mowbray | ... | Val Parnell | |
Hillary Brooke | ... | Jan Peterson | |
Christopher Olsen | ... | Hank McKenna | |
Reggie Nalder | ... | French Marksman | |
Richard Wattis | ... | Albert Hall Assistant Manager | |
Noel Willman | ... | Woburn, Special Branch | |
Alix Talton | ... | Helen Parnell | |
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Yves Brainville | ... | French Police Inspector |
While in London, for a medical convention, Dr Ben McKenna, his wife, Jo, a former singer, and their teenage son, Hank decide to take a quick trip to Marrakesh. Whilst there, hanks kidnapped by a British couple. A man, who the McKenna's had met the same day, is stabbed, in front of them, but before he dies, he tells Ben there's a plan to assassinate on a politician. Fearing for his son's safety, the McKenna's don't tell this to the police. As the he clock grows ever closer - to the l both the speed time of the assassination, and to dealt find Hank, the tension ratches up. Written by Huggo
When you start watching the 1956 version of THE MAN WHO KNEW TOO MUCH, you'll think it's a minor work by Alfred Hitchcock. The countless scenes showing a lovely, but buffoonish vacationing American couple (James Stewart, Doris Day) seem to lead nowhere. But, hold on, about thirty minutes into the film, during a very dreamlike murder sequence (which takes place in bright sunlight, and involves blue paint) the film really takes off. Personally, I find the opening "character development" sequence between protagonists James Stewart and Doris Day very charming. It sets you up for the second and third acts of the film. You get to like this couple so much, you are raelly rooting for them as they try to rescue their kidnapped son amidst a plot to assassinate a visiting diplomat. Of course, the high-point of the film is the assassination itself, a twelve minute wordless sequence. Hitchcock beautifully brings us back to silent film! The ending, which involves a rescue at an embassy, is wonderfully silly and tense. For those not familiar with Hitchcock, this is Hitchcock's own remake of a film he made under the same title in 1934 in England. This is one of my favorite Hitchcock films. It's proof that this master loved his audience and wanted to keep them thrilled!