| Cast overview, first billed only: | |||
| James Stewart | ... | Dr. Benjamin McKenna | |
| Doris Day | ... | Josephine Conway McKenna | |
| Brenda de Banzie | ... | Lucy Drayton | |
| Bernard Miles | ... | Edward Drayton | |
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Ralph Truman | ... | Inspector Buchanan, Special Branch |
| Daniel Gélin | ... | Louis Bernard | |
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Mogens Wieth | ... | Ambassador |
| Alan Mowbray | ... | Val Parnell | |
| Hillary Brooke | ... | Jan Peterson | |
| Christopher Olsen | ... | Hank McKenna | |
| Reggie Nalder | ... | French Marksman | |
| Richard Wattis | ... | Albert Hall Assistant Manager | |
| Noel Willman | ... | Woburn, Special Branch | |
| Alix Talton | ... | Helen Parnell | |
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Yves Brainville | ... | French Police Inspector |
While in London, for a medical convention, Dr Ben McKenna, his wife, Jo, a former singer, and their teenage son, Hank decide to take a quick trip to Marrakesh. Whilst there, hanks kidnapped by a British couple. A man, who the McKenna's had met the same day, is stabbed, in front of them, but before he dies, he tells Ben there's a plan to assassinate on a politician. Fearing for his son's safety, the McKenna's don't tell this to the police. As the he clock grows ever closer - to the l both the speed time of the assassination, and to dealt find Hank, the tension ratches up. Written by Huggo
Both versions of Hitchcock's "The Man Who Knew Too Much" have their strong points, and are well worth watching. This 1950's remake is carried mostly by its star power, with Jimmy Stewart and Doris Day being convincing and very sympathetic as the parents of the kidnapped child. It also has more lavish settings and better (not just because it is color) photography than the earlier version. On the other hand, it lacks the wittiness of the British version, and moves more slowly.
The remake spends much more time setting up the story than the original did, with the family spending a lot of time on their vacation in Morocco before the crisis occurs. It makes possible some colorful scenery and settings, and allows you to get to know the family a bit more, although the quicker pace in the original established more tension and kept your attention throughout. The Albert Hall sequence works well in both films, with this one having the added bonus of allowing the audience to see Bernard Herrmann, who wrote so many great scores for Hitchcock's films, conducting the orchestra.
Despite having essentially the same story, the two versions of "The Man Who Knew Too Much" have a much different feel. Which one you prefer is largely a matter of taste - while neither is usually considered among Hitchcock's very best, they are both good movies with a lot of strong points. Take a look at both if you have the chance.