While in London, for a medical convention, Dr Ben McKenna, his wife, Jo, a former singer, and their teenage son, Hank decide to take a quick trip to Marrakesh. Whilst there, hanks kidnapped by a British couple. A man, who the McKenna's had met the same day, is stabbed, in front of them, but before he dies, he tells Ben there's a plan to assassinate on a politician. Fearing for his son's safety, the McKenna's don't tell this to the police. As the he clock grows ever closer - to the l both the speed time of the assassination, and to dealt find Hank, the tension ratches up.Written by
The airplane shown in this movie (G-AMOF) was a Viscount 701 owned by BEA. It was the thirteenth production Viscount made by Vickers-Armstrongs. It first flew on July 23, 1953. It was sold to the Brazilian airline VASP in August of 1962 for around £110,000. It was damaged beyond repair in a landing accident at Rio de Janeiro's airport on October 31, 1966, and scrapped. See more »
Twice after going to London, Ben says "McKenna's boys" instead of "Buchanan's" when referring to the British inspector's ability to help them. See more »
Opening credits prologue: A single crash of Cymbals and how it rocked the lives of an American family. See more »
The original film opened with the Paramount logo followed by their patented wide screen process, Vista Vision. In the 80's, Universal re-issued the film with their logo, and dropped the reference to Vista Vision. The Blu-Ray edition retains the Paramount/Vista Vision logos at the start, but carries the 80's Universal logo at the end. See more »
I hadn't seen it since I was in college. I remembered it like a fun, absurd movie. Now in 2018 what hit me the most was the wife played by Doris Day. She is spectacular and the absurdity becomes totally real just by looking at her. James Stewart is great of course but he seems to be the foil here rather than the center that keeps us connected to that essential leap of faith. The scene in which he gives her the tranquilizers before telling her the terrible news. What Doris Day manages to do with her character is extraordinary. Brenda de Banzie is a terrific villainess and Bernard Herrmann's score another major plus. I'm sure that even my grandchildren's grandchildren will talk about The Man Who Knew Too Much and about Doris Day.
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