A young woman lives a life filled with bad choices. She marries and has a child with an abusive thief at a young age who quickly ends up in prison. Left alone she takes up with his mate (... See full summary »
In a medium close-up shot of the first kiss ever recorded on screen, two fervent lovers cuddle and talk passionately at hair's breadth, just before the love-smitten gentleman decides to give his chosen one an innocent peck.
An honest expert on locks, Colley Dawson turns safe-cracker after he meets Benny Carfield, unscrupulous dealer in antiques; Dawson steals the goods and Carfield disposes of them, and the ... See full summary »
Joanna Dane, a former O.S.S. operator (forerunner of the CIA), is sent to Tangier by the American authorities to find out who is behind a powerful ring of smugglers that does a booming ... See full summary »
In post-WW2 Shanghai, expatriate Westerners are detained in the Waldorf Hotel until the Communists can identify a suspected spy among them but some prisoners try to outwit the interrogators and the armed guards and flee.
Probably to get some extra funding for the film, Milland squeezed in "Lisbon" some publicity. A very conspicuous Lockheed Constellation airliner of the old TAP'(Transportes Aéreos Portugueses, nowadays Air Portugal) as well as the usual Mateus wine bottle, which does not look quite rosé in this movie. If you go to a fancy restaurant you order more sophisticated Portuguese Wines. The views of Lisbon's probably adjusted to the modern image that dictator Oliveira's wanted to show the world. The splendors of the capital city of Portugal is probably better shown in other films. See more »
When dining with "Sylvia Merrill" in Alfama, she inquires about the song "Old Lisbon" (yes, "Ancient Lisbon") being played in the restaurant. "Captain Robert John Evans " tells her "It's sort of a Home, Sweet Home, for Brazilians". Only a fiendish evil crook could display such ignorance about the beautiful music composed in 1937 by Raúl Portela with lyrics by José Galhardo and Amadeu do Vale. A Portuguese classic that Amália dos Santos made famous. Nelson Riddle took it to America and made it the soundtrack for "Lisbon". See more »
Maria Maddalena Masanet:
[reading aloud an excerpt from Lord Byron's "Don Juan", Canto I, Stanza 83, to Aristides Mavros]
But who, alas! can love, and then be wise? / Not that remorse did not oppose temptation; / A little still she strove, and much repented / And whispering 'I will ne'er consent' - consented.
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Beautifully photographed, with Ray Milland starring and directing. A quite good adventure.
Lisbon is the local for this adventure romance, starring Ray Milland and Maureen O'Hara. It is beautifully photographed on location and the story is rousing and the intrigue suspenseful. Claude Rains, is the thief who Sullivan hires to get back her elderly husband, a millionaire, who has been kidnapped by the Chinese. Rains, is of course, suave, devious, and wonderful as the man of many tastes, including beautiful young women. He has always been good in such a part, as he was in Notorious, as the Nazi spy. Ray Milland is dashing, elegant and just nice to look at. His part as the smuggler gives him a chance to use a little comedy, especially when pursued by a beautiful young woman who Raines employs as a "secretary." She is enamored of Milland and she tries to help him escape the hands of Sarafin, who works for Raines and wants to kill Milland to keep the girl for himself. Maureen seduces Milland, but he rejects her advances after she tells him she wants her husband back "dead." He returns the husband alive, and Raines is picked up by the police for the smuggling that Milland was doing all along. Nice twists all around. Milland is still so wonderful to look at and listen to, it is not surprising that all the women are in love with him. For those who thought that Yvonne Furneaux had a hard time throwing herself into the arms of Milland, you have to remember that she is living with Claude Rains as his mistress. Therefore Milland would not look older to her. He directs this film with just enough pace to make it interesting, and the O'Hara character is smooth and crafty. Beautiful to look at scenery only adds to the pictures appeal.
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