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The King and I (1956)

Trailer
1:34 | Trailer
A widow accepts a job as a live-in governess to the King of Siam's children.

Director:

Walter Lang

Writers:

Ernest Lehman (screenplay), Oscar Hammerstein II (book) | 1 more credit »
Won 5 Oscars. Another 5 wins & 12 nominations. See more awards »

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Cast

Complete credited cast:
Deborah Kerr ... Anna Leonowens
Yul Brynner ... King Mongkut of Siam
Rita Moreno ... Tuptim
Martin Benson ... Kralahome
Terry Saunders Terry Saunders ... Lady Thiang
Rex Thompson ... Louis Leonowens
Carlos Rivas ... Lun Tha
Patrick Adiarte ... Prince Chulalongkorn
Alan Mowbray ... Sir John Hay
Geoffrey Toone ... Sir Edward Ramsay
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Storyline

Mrs. Anna Leonowens and her son Louis arrive in Bangkok, where she has been contracted to teach English to the children of the royal household. She threatens to leave when the house she had been promised is not available, but falls in love with the children. A new slave, a gift of a vassal king, translates "Uncle Tom's Cabin" into a Siamese ballet. After expressing her unhappiness at being with the King, the slave decides to make an attempt to escape with her lover. Anna and the King start to fall in love, but her headstrong upbringing inhibits her from joining his harem. She is just about to leave Siam but something important she finds out makes her think about changing her mind. Written by Randy Goldberg <goldberg@nymc.edu>

Plot Summary | Add Synopsis

Taglines:

20th Century-Fox's crowning entertainment achievement! See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Thai

Release Date:

29 June 1956 (USA) See more »

Also Known As:

Rodgers and Hammerstein's The King and I See more »

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Box Office

Budget:

$4,550,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (with Overture, Entr'acte and Exit Music) (roadshow)

Sound Mix:

4-Track Stereo (Westrex Recording System)

Color:

Color

Aspect Ratio:

2.55 : 1
See full technical specs »
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Did You Know?

Trivia

Dinah Shore, who was a singer as well as an actress, was initially considered for the role of Anna Leonowens. See more »

Goofs

When the children are being presented to Anna, one of them turns and walks away instead of backing away as would be expected and the King reacts with surprise. The child recognizes the mistake but then continues to back away; however, in the next shot as the next child approaches Anna the first child is seen to be in front of Anna again, this time backing away properly. See more »

Quotes

One of the King's wives: [Sees the bearded Ambassador] Oh! He has the head of a goat!
[Sir John Hay holds up spying glass]
Wives: Evil eye! Evil eye!
[flee from the room in terror]
See more »

Crazy Credits

Opening credits prologue: Siam 1862 See more »

Alternate Versions

Home video releases have been very inconsistent with whether or not they have the A Boy Named Charlie Brown mock opening to the movie. It was not included on the 1990 VHS release, was reinstated for the 1991 VHS, but removed again for the 1994 VHS release. See more »

Connections

Referenced in The Prince and Me (2004) See more »

Soundtracks

Getting To Know You
(1951) (uncredited)
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Sung by Deborah Kerr (singing dubbed by Marni Nixon) and Chorus
See more »

Frequently Asked Questions

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User Reviews

 
A magnificent, emotionally packed unusual love story
29 October 2000 | by mrussnowSee all my reviews

I originally saw THE KING AND I at the Roxy Theatre in New York when I was ten years old. My grandmother took me after a day trip to the Statue of Liberty, and I was expecting to see one of my favorites, Jan Clayton, the star of LASSIE, in the starring role.

When the movie unfolded I was enraptured by the beautiful redhead playing the lead and realized it wasn't Miss Clayton (whom I later learned had played in the road version of the show, and kids that age don't really know the difference). I went out into the theatre lobby and looked at the ornate program, which listed Mrs. Anna as Deborah Kerr.

What an impression this woman has had on my life over the years from the retelling of the classic tale of the British woman who comes to Siam to teach the king's children. It is superb, not only musically, but from a story standpoint holds up as the best of the Rodgers & Hammerstein musicals. It is essentially a women's lib story, which makes it as relevant today as it was fifty years ago when it premiered on Broadway.

The fiery, but compassionate Mrs. Anna who is at first turned off by the king and then charmed by him, and who little by little changes him from a near-despot to a man who can grow.

The subplots are fanciful, but lovely and, in the ballet of Uncle Tom, as performed by Tuptim draw a direct analogy to the unpleasant lives endured by Siamese slaves, in particular women. It does so with majesty and intelligence, no less so than Arthur Miller did in "The Crucible," contrasting the Salem Witch Trials with the awful McCarthy political witchhunts on Capitol Hill.

It is an extraordinary achievement, and it is shocking that it did not even make the top 100 AFI films a year ago. It is continually fresh and alive, and every time there is a festival or re-release it does well. Indeed, a few years ago it was shown on a huge screen at The Hollywood Bowl, with orchestral accompaniment, and it was a smash again.

My only regret is that Deborah Kerr (six times nominated for an Oscar) was not gifted with an Academy Award along with her co-star Yul Brynner.

It is a film that should be seen for generations to come.


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