Mrs. Anna Leonowens and her son Louis arrive in Bangkok, where she has been contracted to teach English to the children of the royal household. She threatens to leave when the house she had been promised is not available, but falls in love with the children. A new slave, a gift of a vassal king, translates "Uncle Tom's Cabin" into a Siamese ballet. After expressing her unhappiness at being with the King, the slave decides to make an attempt to escape with her lover. Anna and the King start to fall in love, but her headstrong upbringing inhibits her from joining his harem. She is just about to leave Siam but something important she finds out makes her think about changing her mind.Written by
Randy Goldberg <firstname.lastname@example.org>
The film is riddled with numerous inaccuracies about the biographies of King Mongkut and King Chulalongkorn (see trivia), causing the film to be banned and shunned in Thailand/Siam as libelous and slanderous. See more »
King Mongkut of Siam:
You think you teach King lesson, but this is one lesson you do not be paid for teaching. In the future, you will stop instructing wives and children in silly English song "Home Sweet House". To remind me of breaking promises I never make, et cetera, et cetera, et cetera.
Your majesty, I do not intend to have my boy brought up in a harem, and you did promise me a house; "a brick residence adjoining the palace," those were your very words in the letter.
King Mongkut of Siam:
[obviously does remember]
I do not remember ...
[...] See more »
In the 1991 VHS release, after the "Feature Presentation" card fades to black, at first a film called A Boy Named Charlie Brown (1969) starts playing, and it goes up until the start of its opening credits, then you hear someone saying that they put in the wrong film. The film stops, a quick reel change slide is put up, and then the real movie starts. See more »
In the 1961 rerelease (the 70mm blow-up version), right after the 20th Century Fox logo at the beginning, in place of "A Cinemascope Picture in Cinemascope 55," was "In Grandeur 70" (same background, but the text was huge, streamlined and stretched across the screen in a banner-like curve). See more »
Though I don't remember the first time I saw the movie it was a movie I grew up on. I grew up on Rodgers and Hammerstein and have loved all (but State Fair) of their movies that I've seen. And I have to say that this movie is their very best and the very best musical ever made. Yul Brynner was great and was very deserving of the best actor Oscar. I love every thing about this movie and it tugs on my heartstrings every time I watch it. Even know I know how it will end a huge lump comes to my throat as my heart sings when he dances with her across the room just wishing that they can be together some how.If a movie can move you like that every time, than it's top notch and The King and I does it best.
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