Mrs. Anna Leonowens and her son Louis arrive in Bangkok, where she has been contracted to teach English to the children of the royal household. She threatens to leave when the house she had been promised is not available, but falls in love with the children. A new slave, a gift of a vassal king, translates "Uncle Tom's Cabin" into a Siamese ballet. After expressing her unhappiness at being with the King, the slave decides to make an attempt to escape with her lover. Anna and the King start to fall in love, but her headstrong upbringing inhibits her from joining his harem. She is just about to leave Siam but something important she finds out makes her think about changing her mind.Written by
Randy Goldberg <firstname.lastname@example.org>
Baking under the hot lights on-set, Deborah Kerr lost over 12 pounds, and would often refer to herself as "The melting Miss Kerr". See more »
When Anna is summoned by the king in the middle of the night (at around 1 min), the king's left hand switches between resting on a pillow and pointing in a book between shots. See more »
King Mongkut of Siam:
...Pairs of male elephants to be released into the forests of America. There it is hoped that they will grow in number and the people can tame them and use them as beasts of burden.
But your majesty, I don't think you mean pairs of MALE elephants.
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In the 1991 VHS release, after the "Feature Presentation" card fades to black, at first a film called A Boy Named Charlie Brown (1969) starts playing, and it goes up until the start of its opening credits, then you hear someone saying that they put in the wrong film. The film stops, a quick reel change slide is put up, and then the real movie starts. See more »
In the 1961 rerelease (the 70mm blow-up version), right after the 20th Century Fox logo at the beginning, in place of "A Cinemascope Picture in Cinemascope 55," was "In Grandeur 70" (same background, but the text was huge, streamlined and stretched across the screen in a banner-like curve). See more »
Having read most of the comments on this picture, I was astonished to see how little understood this classic musical is. Yes, it takes place in 19th century Siam, but it is a fairy tale Siam in the same sense as the fairy tale Paris in An American in Paris. It is not supposed to be a true representation of Asian life. Wake up, Folks! Its a Hollywood adaptation of a Broadway musical! Let's leave the realism to Phat and Foster.
This picture, with its infectious score and dynamic performances, is one of the best of its genre. Who can fail to see the sexual tension between the two leads? Who can not marvel at the entrance of the royal children (check out Brynner's different reaction to each child). How can one not applaud the fantastic House of Uncle Thomas performance at the diplomatic dinner. How can your heart not reel to Shall We Dance?
This is old-line Hollywood at its very best, and may be the last truly great musical. Check your historical, racial, and PC hats at the door and don't miss it!
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