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Invasion of the Body Snatchers (1956)

Not Rated | | Drama, Horror, Sci-Fi | 5 February 1956 (USA)
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A small-town doctor learns that the population of his community is being replaced by emotionless alien duplicates.

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Writers:

(screenplay), (Collier's magazine serial)
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2 wins. See more awards »

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Cast

Cast overview, first billed only:
... Dr. Miles J. Bennell
... Becky Driscoll
... Dr. Dan 'Danny' Kauffman
... Jack Belicec
... Theodora 'Teddy' Belicec
... Nurse Sally Withers
Ralph Dumke ... Police Chief Nick Grivett
... Wilma Lentz
... Uncle Ira Lentz
Kenneth Patterson ... Stanley Driscoll
... Officer Sam Janzek
Eileen Stevens ... Anne Grimaldi
Beatrice Maude ... Grandma Grimaldi
Jean Andren ... Eleda Lentz
Bobby Clark ... Jimmy Grimaldi
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Storyline

Dr. Miles Bennell returns to his small town practice to find several of his patients suffering the paranoid delusion that their friends or relatives are impostors. He is initially skeptical, especially when the alleged doppelgangers are able to answer detailed questions about their victim's lives, but he is eventually persuaded that something odd has happened and determines to find out what is causing this phenomenon. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Walter Wanger Creates the Ultimate in Science-Fiction! See more »

Genres:

Drama | Horror | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

5 February 1956 (USA)  »

Also Known As:

The Body Snatchers  »

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Box Office

Budget:

$417,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Perspecta Sound encoding) (Western Electric Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Even though the film was "produced in Superscope"--according to the opening credits--and released in the 2.00:1 aspect ratio, it was actually shot with the spherical 1.85:1 aspect ratio in mind. The scope prints were created in the lab in post-production by cutting off the top and bottom of the image. Director Don Siegel protested the reformatting, to no avail. See more »

Goofs

As the posse runs through Bronson Cave, after the policeman stops on the planks, says his lines, and then runs ahead, look closely for the man in the white shirt: it looks like he fell down onto the planks before the shot ended. See more »

Quotes

Dr. Miles J. Bennell: [cautiously] Who are you?
Dr. Hill: I'm Dr. Hill, from the state mental hospita...
Dr. Miles J. Bennell: I AM NOT INSANE!
[guards grab him]
Dr. Hill: Let him go!
Dr. Miles J. Bennell: Listen, Doctor, now you must listen to me, you must understand me, I'm a doctor too, I am not insane! I am NOT insane!
See more »

Crazy Credits

THE END comes up on the final shot of the film of Miles looking relieved that Dr Hill has believed his story, and is calling the FBI about the alien invasion of Santa Mira. See more »

Connections

Edited into The Giant Claw (1957) See more »

Frequently Asked Questions

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User Reviews

 
Classic chiller

A doctor comes to a hospital on a late night call to hear a man whom everybody else deems insane. The doctor persuades the man to be patient and tell his story. The man then tells the doctor about how a small California town has been invaded by some sort of alien seeds that grow into human clones...

Coming straight from the McCarthy era and general Cold War paranoia this is one scary movie. There is not a gun fired, not a drop of gore shed but the final effect of the film will stay with you for a good while. More contemporary film viewers might recognize the concept from John Carpenter's "The Thing" which itself was an update of the 1951 film. However, the themes of paranoia and tension are just as nail-biting and intense here.

There is a lack of visual punch that so many people are used to today, but just think of the historical context and the implications, basically use your mind! Then you'll see why the film scared studio executives so much that they forced Don Siegel to add an intro and outro to help soften the overall effect. It wasn't the best play in the book, but the film remains a great classic chiller. --- 9/10

Not Rated. It would most likely receive a PG from the MPAA, there are several tense moments, though no violence.


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