A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
Dr. Miles Bennell returns to his small town practice to find several of his patients suffering the paranoid delusion that their friends or relatives are impostors. He is initially skeptical, especially when the alleged doppelgangers are able to answer detailed questions about their victim's lives, but he is eventually persuaded that something odd has happened and determines to find out what is causing this phenomenon.Written by
Mark Thompson <email@example.com>
Even though the film was "produced in Superscope"--according to the opening credits--and released in the 2.00:1 aspect ratio, it was actually shot with the spherical 1.85:1 aspect ratio in mind. The scope prints were created in the lab in post-production by cutting off the top and bottom of the image. Director Don Siegel protested the reformatting, to no avail. See more »
As the posse runs through Bronson Cave, after the policeman
stops on the planks, says his lines, and then runs ahead, look closely for the man in the white shirt: it looks like he fell down onto the planks before the shot ended. See more »
A doctor comes to a hospital on a late night call to hear a man whom everybody else deems insane. The doctor persuades the man to be patient and tell his story. The man then tells the doctor about how a small California town has been invaded by some sort of alien seeds that grow into human clones...
Coming straight from the McCarthy era and general Cold War paranoia this is one scary movie. There is not a gun fired, not a drop of gore shed but the final effect of the film will stay with you for a good while. More contemporary film viewers might recognize the concept from John Carpenter's "The Thing" which itself was an update of the 1951 film. However, the themes of paranoia and tension are just as nail-biting and intense here.
There is a lack of visual punch that so many people are used to today, but just think of the historical context and the implications, basically use your mind! Then you'll see why the film scared studio executives so much that they forced Don Siegel to add an intro and outro to help soften the overall effect. It wasn't the best play in the book, but the film remains a great classic chiller. --- 9/10
Not Rated. It would most likely receive a PG from the MPAA, there are several tense moments, though no violence.
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