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Invasion of the Body Snatchers (1956)

Not Rated | | Drama, Horror, Sci-Fi | 5 February 1956 (USA)
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A small-town doctor learns that the population of his community is being replaced by emotionless alien duplicates.

Director:

Don Siegel

Writers:

Daniel Mainwaring (screenplay), Jack Finney (Collier's magazine serial)
2 wins. See more awards »

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Cast

Cast overview, first billed only:
Kevin McCarthy ... Dr. Miles J. Bennell
Dana Wynter ... Becky Driscoll
Larry Gates ... Dr. Dan 'Danny' Kauffman
King Donovan ... Jack Belicec
Carolyn Jones ... Theodora 'Teddy' Belicec
Jean Willes ... Nurse Sally Withers
Ralph Dumke Ralph Dumke ... Police Chief Nick Grivett
Virginia Christine ... Wilma Lentz
Tom Fadden ... Uncle Ira Lentz
Kenneth Patterson Kenneth Patterson ... Stanley Driscoll
Guy Way ... Officer Sam Janzek
Eileen Stevens Eileen Stevens ... Anne Grimaldi
Beatrice Maude Beatrice Maude ... Grandma Grimaldi
Jean Andren Jean Andren ... Eleda Lentz
Bobby Clark Bobby Clark ... Jimmy Grimaldi
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Storyline

Dr. Miles Bennell returns to his small town practice to find several of his patients suffering the paranoid delusion that their friends or relatives are impostors. He is initially skeptical, especially when the alleged doppelgangers are able to answer detailed questions about their victim's lives, but he is eventually persuaded that something odd has happened and determines to find out what is causing this phenomenon. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Walter Wanger Creates the Ultimate in Science-Fiction! See more »

Genres:

Drama | Horror | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

5 February 1956 (USA) See more »

Also Known As:

Walter Wanger's Invasion of the Body Snatchers See more »

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Box Office

Budget:

$417,000 (estimated)

Cumulative Worldwide Gross:

$3,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Perspecta Sound encoding) (Western Electric Recording)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Don Siegel cast Kevin McCarthy having worked with him on An Annapolis Story (1955). See more »

Goofs

When Becky and Miles are escaping in his car, over the AP bulletin, their car is described as a black and white sedan. When Becky pulls into the used car lot, the car is one color. See more »

Quotes

Dr. Ed Pursey: [after Dr. Bennell asks if he knows Becky] Yes, I brought her into the world.
Dr. Miles J. Bennell: You did us all a favor.
See more »

Crazy Credits

THE END comes up on the final shot of the film of Miles looking relieved that Dr Hill has believed his story, and is calling the FBI about the alien invasion of Santa Mira. See more »

Alternate Versions

Five cuts were made by the British censors on its initial release, mainly references to Burke and Hare, the original bodysnatchers. This cut print has been the only one available in the UK until 1998, when a complete widescreen version appeared on the budget video label 4-Front. See more »

Frequently Asked Questions

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User Reviews

The better one
2 November 2004 | by bob998See all my reviews

This was the first part of a double bill with Phil Kaufman's remake as the follow-up. I'll say that Siegel is ten times the action director that Kaufman could ever dream of being, that the original Body Snatchers has a cool, thoughtful tone that makes the shock scenes even better. The remake, even though in color and with a bigger budget, is so nervous, so lacking in pace and mood, that your impulse is often to laugh instead of sinking deeper into your seat.

Take just one scene: Kevin McCarthy and Dana Wynter are barricaded in his office, trying to stay awake. Morning comes, and the weirdness begins; people shuffle towards the square to pick up their packages, the leaders calling out the districts. Now in daylight the suspense is made more potent, the threat to humans seems greater. Kaufman does this scene at night, losing the mundane horror that Siegel evokes so well. The studio imposed the flashback structure, having McCarthy brought in to talk to a therapist at the beginning and end of the picture. That's the only weakness in the story.


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