Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.
A Commander receives a citation for an attack on General Erwin Rommel's headquarters, which is actually undeserved, as the Commander is unfit for his job. On top of that, unbeknownst to him, his wife is having an affair with one of his officers.
Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the handsome singer/petty crook, Julie Benson?
Josef von Sternberg,
Stefano Torino wants nothing to do with his Gypsy clan but his brother Marco thinks otherwise. Marco arranges a marriage for Stefano with a young Gypsy woman from Chicago, Annie Caldash. Stefano, or Steve as he now prefers to be called, wants nothing to do with it but Annie convinces him that she had no intention of accepting him at the altar intending on running away as soon as Marco pays her father the $2000 they've been promised. Steve decides to go along with the gag but gets trapped when Annie decides she wants to marry him after all. Steve leaves for several months but when he returns Annie's request for a divorce leads him to reconsider his decision.Written by
Ray had wanted producer Gabriel Pascal to play "Marco Torino," the King of the Gypsies, but Pascal died before the film was made. According to modern sources, Ray also considered Edward G. Robinson for the role, which eventually was portrayed by Luther Adler, a veteran of the Group Theater. See more »
After a hat trick ,after three films ,two of which are absolute classics "Rebel without a cause" and "Johnny Guitar" and another one which was largely and unfairly ignored ,the poetic western "run for cover",all that Nicholas Ray would do would be necessarily a disappointment .I must confess "Hot Blood" failed to excite me.
There 's one of Ray 's permanent features :the old character ,feeling that his days are numbered ,who is in search of someone younger to take over from him:that was the subject of his wonderful "lusty men" or of "run for cover" .
The problem is that it's very difficult to believe these people are gypsies:the music does not sound "gyspsy" at all,being closer to musicals ,but no tune is particularly memorable.A gypsy called... Annie? The scene when Russell read her rival's cards could have been very funny,had her lines been a bit more subtle.
Cornel Wilde and Jane Russell are attractive actors but there's no real chemistry between them.Cause he's been forced to get married against his will (the scene when Wilde realizes he's been had is the best),Stephano refuses to consummate the wedding but the girl is not prepared to accept it.But he does not know his brother suffers from TB.
The colors are gaudy ,with red as the predominant color.But it's a far cry from "Johnny Guitar" filmed in "Trucolor" (sic).
"Hot blood" is a faux pas in Ray's brilliant career: its follow-up ,"Bigger than life" showed the director at the top of his game again.
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