Princess Beatrice's days of enjoying the regal life are numbered unless her only daughter, Princess Alexandra, makes a good impression on a distant cousin when he pays a surprise visit to ... See full summary »
Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with ... See full summary »
Joey Evans' a charming, handsome, funny, talented a-1st class, A-N°.1 - heel. When Joey meets the former chorus girl and now is the rich widow, Vera Simpson, the pair of lecherous souls seem made for each other.
Set during the Korean War, a Navy fighter pilot must come to terms with with his own ambivalence towards the war and the fear of having to bomb a set of highly defended bridges. The ending of this grim war drama is all tension.
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, who tries to win Tracy's heart again. Mike Connor, an undercover tabloid reporter, also falls for Tracy while covering the nuptials for Spy magazine. Tracy must choose between the three men as she discovers that "safe" can mean "deadly dull" when it comes to husbands and life.Written by
James Meek <email@example.com>
In the library "Did You Evah" sequence, Dexter is reading 'Touring Topics'. This was the Automobile Club's member magazine before it became 'Westways' in 1934. See more »
In the confrontation between Tracy Lord, George Kittridge, and Mike Connor, Tracy is in the center with George stage left and Mike stage right. She turns to face George, which puts Mike behind her. But when she speaks to Mike, she glances left, not behind her. When the camera angle changes a second later, Mike has not moved, but Tracy is now facing him, with George now behind her. See more »
[after singing the opening song with his band]
End of song, beginning of story.
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A society wedding is being arranged in Newport, Rhode Island. The beautiful Tracy Lord is to marry George Kitteredge. However, Tracy's ex-husband, the songwriter Dexter Haven, has never stopped loving her and even now has hopes of winning her back. Two journalists, Mike Connor and Liz Imbrie, have arrived to cover the story for 'Spy' Magazine.
Dexter has scheduled the Newport Jazz Festival for the same week as the nuptials, and this brings Louis Armstrong (playing himself) to town. The divine Tracy is adored by three men - Dexter, George and Mike Connor. She begins to harbour doubts about her forthcoming marriage...
"High Society" is a charming reworking of "The Philadelphia Story", the Grant-Hepburn comedy, which was in turn a remodelling of a successful Broadway play. The one great difference with this version is that "High Society" is a glorious musical masterpiece. Cole Porter's score has to be one of the greatest collections of songs ever filmed.
Grace Kelly is good as the imperious Tracy. "I'm a cold goddess," she intones, but she thaws spectacularly in the warmth of love. Bing Crosby as Dexter is his usual droll and stylish self. Crosby is a class act who holds the screen with effortless poise and cracks the funnies with sparkling sarcasm. Sinatra is in knockout form. Rarely has that legendary voice achieved the resonant timbre on display here. Satchmo blasts out a couple of breezy jazz numbers, and comments on the action like a latter-day Greek chorus.
The songs include five all-time classics. "True Love" is a gorgeous duet in which Kelly unveils a tuneful if brittle singing-voice. "Who Wants To Be A Millionaire?" is rightly world-famous, and is staged here with clever clownage by Sinatra and Celeste Holm (playing Liz). Satchmo's band accompanies Crosby in a swinging "You Has Jazz". The showstopper, "What A Swell Party This Is", has Crosby and Sinatra at their very best, wisecracking self-referentially as they belt out a gem of a song. My personal favourite, "You're Sensational", is beautifully rendered by Sinatra. Watch Frank and Grace in the instrumental break, falling in love with their eyes only.
A confection of sublime music and snappy dialogue, "High Society" is shot in bright, eye-catching Technicolor with an attractive pastel blue predominating throughout. A delightful film.
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