Princess Beatrice's days of enjoying the regal life are numbered unless her only daughter, Princess Alexandra, makes a good impression on a distant cousin when he pays a surprise visit to ... See full summary »
In Colombia, mining engineer Rian Mitchell discovers Carrero, the lost emerald mine of the Conquistadors, but has to contend with notorious local bandit El Moro's gang and with coffee planter Catherine Knowland's love.
Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with ... See full summary »
Joey Evans' a charming, handsome, funny, talented a-1st class, A-N°.1... heel. When Joey meets the former chorus girl ("she used to be 'Vera...with the vanishing veils'") and now is the ... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, who tries to win Tracy's heart again. Mike Connor, an undercover tabloid reporter, also falls for Tracy while covering the nuptials for Spy magazine. Tracy must choose between the three men as she discovers that "safe" can mean "deadly dull" when it comes to husbands and life.Written by
James Meek <email@example.com>
High Society (1955), a "Bowery Boys" comedy that had been released the previous year, was mistakenly nominated for an Academy Award for "Best Writing - Original Story" in 1957, because the Academy confused it with this film, which was still in wide release when the 1957 nominations were announced. When the mistake was discovered, Edward Bernds and Elwood Ullman, the two screenwriters of the "Bowery Boys" film, graciously declined the nomination. See more »
Boom shadow visible against the bookshelf to the left as Dexter and Mike Connor leave the library singing the lyrics "swellegant, elegant" See more »
[after singing the opening song with his band]
End of song, beginning of story.
See more »
In my humble opinion, The Philadelphia Story was amusing but not really hilarious and certainly not the apex of screwball comedy, as the rest of the world is convinced. But I could appreciate it much more after viewing this inane, dull remake of the story. In the non-musical scenes, in which the writers both unabashedly lift dialogue straight from the movie (and, presumably, the play it was based on) and throw in some of their own confections, no one comes near their "Philadelphia" predecessors in their delivery of the lines. I never really imagined myself saying this, but they just aren't as smart or sharp or witty as the original cast. Poor Grace Kelly makes an ass of herself in her last film, and poor Frank Sinatra and Celeste Holm are largely wasted and completely mismatched. The supporting cast, particularly the mother and the young sister, are also embarrassing.
The only things that save this film are Cole Porter's lively songs, especially "Well, Did You Evah?" and the rumba number, in which Sinatra and Kelly show themselves to be the only well-matched couple in the movie and display some good chemisry, as well as the one and only Satchmo's wonderful opening rendition of the title song (The film can only go downhill from there) and "Now You Has Jazz." Bing Crosby's likeable performance, the only non-embarassing one in the movie (except Satchmo's) also helps.
Maybe I would have liked this movie better if I hadn't seen The Philadelphia Story beforehand, but then again, I didn't love The Philadephia Story until I saw this movie. All in all, it was a flop.
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