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Gunslinger (1956)

Approved | | Western | 15 June 1956 (USA)
After her husband is gunned down, Rose Hood takes his place temporarily as Marshal of a small Western town.

Director:

Roger Corman

Writers:

Charles B. Griffith (screenplay), Mark Hanna (screenplay)
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Cast

Complete credited cast:
John Ireland ... Cane Miro
Beverly Garland ... Marshal Rose Hood
Allison Hayes ... Erica Page
Martin Kingsley Martin Kingsley ... Mayor Gideon Polk
Jonathan Haze ... Jake Hayes
Margaret Campbell Margaret Campbell ... Felicity Polk
Bruno VeSota ... Zebelon Tabb (as Bruno Ve Sota)
Chris Alcaide ... Deputy Joshua Tate
Dick Miller ... Jimmy Tonto (as Richard Miller)
George Offerman Jr. ... (as George Offerman)
William Schallert ... Marshal Scott Hood
Paul McGuire Paul McGuire
Aaron Saxon Aaron Saxon ... Nate Signo
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Storyline

Oracle, Texas Marshal Scott Hood is murdered and his wife, Rose, takes his badge and sets out on a personal vendetta to find the killers. She'll have the badge two weeks, then the new Marshal arrives to take over. Meanwhile, the unscrupulous Erica Page, the saloon-mistress, is busy buying up local property because she has a tip the railroad is going to make Oracle a depot stop. The cowardly Mayor warns her that the railroad may not come to Oracle, but Erica already had that base covered, as after she makes payment on the land, she has her moronic henchman, Jake Hayes, murder the seller, take back the money, return it to her so she can buy some more land. Erica is a businesswoman who believes in a fast return on investment. But, in order to get away cleanly, if the railroad does not come through, she sends Jake out-of-state to Tombstone to hire a gunslinger to come kill Rose. He brings back a hired gun who falls in love with his intended target. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Hired to kill the woman he loved!

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

15 June 1956 (USA) See more »

Also Known As:

A Lei dos Brutos See more »

Company Credits

Production Co:

Roger Corman Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Pathécolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Allison Hayes broke her arm when she fell off a horse during the filming. Beverly Garland claimed Hayes intentionally slid from her horse in order to get out of the film. Director Roger Corman also shot a couple of close-ups of Hayes for the film as they were waiting for the ambulance. See more »

Goofs

At the beginning after the sheriff is killed his wife runs out the door to shoot at the man riding away, it is obviously full daylight. When she comes back into the office the world behind outside the door is completely black, as though it was the middle of the night. See more »

Quotes

[first lines]
Rose Hood: Hi.
Marshal Scott Hood: Hi. Long night.
Rose Hood: A quiet one for a change.
Marshal Scott Hood: Aw, you shouldn't get up so early just to fetch my breakfast.
Rose Hood: What else is a Marshal's wife good for?
See more »

Crazy Credits

Opening credits: ORACLE, TEXAS

FRIDAY, MAY 21, 1878 See more »

Connections

Featured in Film '72: Episode dated 23 September 2008 (2008) See more »

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User Reviews

 
Original B-western
15 March 2004 | by pzanardoSee all my reviews

Two tough women, one good one bad, dominate "Gunslinger", a nice B western, early work by Roger Corman. In spite of being so patently low-budgeted and made in a rush, the movie have several things to its credit. First of all, a considerable originality for the 1950s. The woman marshal Rose (Beverly Garland) is an uncommon character in western movies, all the more her outstanding guts and toughness. The early scene, when she shoots dead the killer during her husband's funeral service, is a shocker which, in some sense, sets the gutsy standard of the film. Personally, I never saw such an unexpected scene elsewhere. Fine stuff. Rose's counterpart is the cruel Erica (Allison Hayes), always ready to murder anyone interfering with her dirty schemes. She is uncommonly bad for a female character. These two beautiful mortal enemies are related in a love triangle with the gunslinger Cane Myro (John Ireland). I like this character, entangled in a Greek-tragedy-like strait of being hired to kill the woman he loves. John Ireland, slouching along with his dark suit, cold eyes, sad fixed grin, cynical sense of humor, is perfect for the role. In my opinion he makes a first-rate job, even too good for an unpretentious B-movie. The romantic scenes with Myro and Rose have an intensity which makes a fine contrast with the merely carnal interchange between Erica and the gunslinger. A remarkable sexy aura permeates a number of scenes, mainly thanks to three sensational saloon-girls. Even the final general killing, though far-fetched, has the merit to be non-standard. The tough, dry dialogue is praise-worthy, Garland and Hayes act adequately, and there is some good camera work (rarely, to be honest). Several sub-plots give a fast pace to the narration. It is almost impossible to get bored. After all, that's the main purpose of a B-movie, isn't it?

Unfortunately, sometimes "Gunslinger" is non-standard for goofiness, as well. An early take is so mistaken that I even suspect to be a director's deliberate choice. We see the pony-express starting from a stage-post, in theory some ten days far from Oracle, the village where the action takes place. Few seconds later he rides close to a big tree, under which we see the funeral service of the murdered marshal, in Oracle! And we have many takes of rushing horses, patently in "fast-motion". What's the point of such useless stupidity? Two potentially exciting scenes, namely the fist-fight between Rose and Erica and the attempt of the three saloon-girls to lynch Rose, are marred by a very poor editing. We find several faults in the cut of the movie, as well.

Anyway, I go back to my main point. The two pretty tough girls are exciting, the romance is pleasant, the flick is entertaining and presents some interest for a study of B-movies.


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