Good-bye, My Lady

This is one of my all-time favorite family films. It doesn't remind me of "Old Yeller" or "Lassie," but something different. It centers around an elderly backwoods hillbilly (Walter Brennan)who is raising his young grand(?)nephew (a very young Brandon DeWilde). The boy finds a strange dog in the woods and, after much reluctance, adopts the dog, only to find that it is one of the strangest breeds (Basenji) in captivity. (Being a Basenji owner, they are indeed very strange but lovable). The film is very moving in parts, especially when you first note the gradual bond between the boy, the dog and the old man and how the little dog seems to bring out a lonely side of the little boy that you don't pick up until that part of the film. Yes, the dog does "sing" ( Basenjis do not bark, they "yodel") and it runs very fast (they are fast runners). The boy's fascination with figuring out just what this dog is all about really manages to capture and hold your attention throughout the entire film. Even you will want to figure out what this dog is all about.

Walter Brennan is hilarious, although it appears as though this role was intended to be on the light side, not hysterically funny side. I found myself laughing so hard in the scenes where he is running to catch up to the dog or running to get the wood chopped when he is suddenly awakened from a long nap. His character is "Grandpa McCoy" from "The Real McCoys" but a little more gritty (at least Grandpa McCoy had dentures). Brandon DeWilde is absolutely marvelous. And "Lady" is both magnificent and fascinating to watch.

Check this one out. It's well worth a family get-together for a few good laughs and for bringing folks together. And if you get the chance to watch a Basenji's antics, even you'll be asking, "Is this really a dog?"

Phil Harris's contribution to this low-key gem should be acknowledged. Harris does not strike a single false note in his role as the local merchant and bird hunter. Sydney Poitier is a little less believable. By the way, the characters are properly described as swamp folk, or swamp rats, not hill billies.

I just caught this film recently on American Movie Classics. It was better than I ever would have expected. The summary for the film reads like a Disney story "An old man and a young boy who live in the Georgia swamps are brought together by the love of a dog.", but the film actually mixes in a lot of humor with a sad story.

The stars in the film include Sidney Poitier, who doesn't play a real major role in the film, and Walter Brennan. If you know who Walter Brennan is, then you've proved that you watched those Sunday afternoon Westerns as a kid, like "How the West Was Won" or "Support Your Local Sheriff". Brennan's unique voice has been mimicked over the years by many, and is one that almost everyone would recognize. It's the unmistakable "country hill-billy" voice that we all can help but smile when hearing.

The film isn't a comedy, but give the viewer plenty to smile about. Uncle Jessie's as the stereotypical hillbilly is the source of many of those grins. He is supposed to be cutting firewood to make money, but he can't seem to cut more than 1 or 2 pieces daily before succumbing to an all-afternoon nap. He also has some fun dialog like "when I gets me enough money I'm gonna git me a set a dem Roebucker-teeth [false teeth from Sears & Roebuck], and if-en I save enough maybe I'll git me a couple-a gold ones" or some banter with his nephew Skeeter that includes words like "mighten" and advice to "don't crowd God".

Skeeter, the nephew (played by Brandon De Wilde), has some great facial expressions throughout the film and also has some funny scenes with Lady (the dog).

The dog that they boy finds and subsequently catches and names "Lady" is said by the boy and Jessie to "laugh, sure as day" - and by God, they weren't lying. The dog in the film actually laughs! I mean it's a dog-laugh, but it's unmistakable.

Anyway, while not a film that I would rate as a "can't miss", "Good-bye, My Lady" was a fun film that had it's touching moments, but mixed in a lot of fun. A really good Sunday afternoon flick and a must for Walter Brennan fans.

I too caught this one on American Movie Classics and I have to say it's a modest little movie that does a lot of things right. The moment we hear of a movie about a boy and a dog, we expect a surfeit of sentimentality, a la "Old Yeller". This movie is rather understated, right down to being in black & white and having a single acoustic guitar do the background music. The movie does not opt for the cheap happy ending it might have, but gives us something sadder and more real. By doing so it makes for a much richer movie. This fine little film isn't going to be on anyone's "ten greatest movies" list, but it's worth a see.

I was introduced to this movie by my niece, who had seen it at her vocational school. She and her friends (about a dozen girls) sat and watched it over and over, and cried their eyes out at the end every time! For a 50 year old movie to have that much impact on a group of modern 15 and 16 year old kids really says something about the quality of its content. It is certainly out-dated in many ways, and shows training techniques that would, no doubt make the ASPCA cringe today. For those of us that grew up in a little less gentile world it brings back memories of how life used to be. The acting in the film is good throughout, the characters are generally believable. If you have ever had the pleasure of interacting with a Basenji, than you will realize that most of what is depicted in the movie concerning the dog is quite plausible. It is one of the best dog movies I have ever seen, and really worth a look (if you can find it).